Reception
| Professional ratings | |
|---|---|
| Aggregate scores | |
| Source | Rating |
| Metacritic | (74/100) |
| Review scores | |
| Source | Rating |
| Allmusic | |
| Billboard | (favorable) |
| Blender | |
| Entertainment Weekly | B |
| Paste | (8.6/10) |
| Pitchfork Media | (6.4/10) |
| PopMatters | |
| Robert Christgau | |
| Rolling Stone | |
| Spin | (7/10) |
The album so far has a score of 74 out of 100 from Metacritic based on "generally positive reviews". Mojo gave the album four stars out of five and said that it was "looser and more organic, and a different sonic palette for Hynde." Q also gave it four stars out of five and said, "It's Hynde who steals the show with her lip-curling vibrato, part Elvis, part Dusty, never more intoxicating than on the seductive 'Almost Perfect.'" The Boston Globe gave it a positive review and said that the album "just might be most congenial, and certainly rootsiest, collection yet."
Other reviews are average or mixed: Under the Radar gave the album six stars out of ten and said it had "a few throwaway tunes", but that it was "probably the best Pretenders album since Get Close." Uncut gave it three stars out of five and said that the album might be "a bargain... but the triumphs of yore tend to expose the new album's low-fi rockabilly and country strums." The Observer also gave it three stars out of five and said that Chrissie Hynde was "reinvestigating her roots with some rockabilly and a Dylan vibe." The Austin Chronicle, however, gave it two-and-a-half stars out of five and asked, "Why not take the five really good tracks... and offer a stellar EP for download?"
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“But in the reception of metaphysical formula, all depends, as regards their actual and ulterior result, on the pre-existent qualities of that soil of human nature into which they fall—the company they find already present there, on their admission into the house of thought.”
—Walter Pater (1839–1894)