Critical Reception
Eric R. Danton of The Hartford Courant deemed it as a "crunk-style thumper", while calling it one of the "killer tracks" off the album along with "Radar" and "Hot as Ice". Nick Levine of Digital Spy called it "a booming slice of multi-layered electro R&B" and said that along with "Radar", "are as avant-garde as pop gets in 2007". A reviewer from Popjustice said " is a really brilliant track", Stephen Thomas Erlewine of Allmusic said some of the songs of Blackout, "really show off the skills of the producers", exemplifying "Gimme More", "Radar", "Break the Ice", "Heaven on Earth" and "Hot as Ice". He also referred to the song as a "stuttering electro-clip".
Jennifer Vineyard of MTV said the song "might have been a stronger album leadoff track than 'Gimme More', since re-introduces herself at the top and apologizes for being gone for so long." Kelefe Sanneh of The New York Times said the song was "nearly as good" as previous singles "Gimme More" and "Piece of Me", and described it as a "rave-inspired flirtation". A reviewer from the Ottawa Citizen said that "here's also a lot to like about Break The Ice, Why Should I Be Sad and Perfect Love". Jim Abbott of the Orlando Sentinel said that "Musically, songs such as 'Piece of Me,' 'Radar' and 'Break the Ice' are one-dimensional, robotic exercises." Joan Anderman of The Boston Globe called it "numbing club filler."
Read more about this topic: Break The Ice (Britney Spears Song)
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