Brazilian Sculpture - Gallery

Gallery

  • Agostinho de Jesus: Our Lady of Purification, 17th century. São Paulo Museum of Sacred Art

  • Immaculate Conception, Jesuit-Indian piece, 18th century. Júlio de Castilhos Museum

  • St. Peter Pope, 18th century. Portuguese school. São Paulo Museum of Sacred Art

  • Interior of St. Francis of Assisi Church, Salvador, showing the extraordinarily rich woodcarving.

  • High altar of Our Lady of Carmo Church, Recife

  • Christ resurrected, 18th century. School of Bahia

  • Detail of the high altar of Saint Benedict in Saint Benedict Church, Olinda

  • Aleijadinho: Christ bearing the Cross, 1796-1808. Bom Jesus de Matosinhos Sanctuary

  • Marc Ferrez: Bust of emperor Peter I, early 19th century. National Historical Museum of Brazil

  • Almeida Reis: Dante returning from exile, 1889. Museu Nacional de Belas Artes

  • Unknown artist: St. Anne teaching, late 19th century. Our Lady of Caravaggio Sanctuary, Farroupilha

  • Wenzel Folberger: Atlas, early 20th century, Porto Alegre

  • Décio Villares: Detail of Monument to Júlio de Castilhos, ca. 1913. Porto Alegre

  • André Arjonas: St. Expeditus, early 20th century

  • Victor Brecheret: Tomb of Olívia Guedes Penteado, early 20th century. São Paulo

  • Alfredo Ceschiatti: Justice, Brasilia

  • Felícia Leirner: Columns, 1975-76. São Paulo

  • Heloísa Crocco: Echo II, 1978. Rio Grande do Sul Museum of Art

  • Bruno Giorgi: Theorem, 1987-88. Porto Alegre

  • Vasco Prado: Model resting, ca. 1990. Rio Grande do Sul Museum of Art

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Famous quotes containing the word gallery:

    I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de’ Medici placed beside a milliner’s doll.
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    Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.
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    To a person uninstructed in natural history, his country or sea-side stroll is a walk through a gallery filled with wonderful works of art, nine-tenths of which have their faces turned to the wall. Teach him something of natural history, and you place in his hands a catalogue of those which are worth turning round.
    Thomas Henry Huxley (1825–95)