Plot
The story is set in the 23rd century (around 2249) on a distant planet called New Texas, which is located 600 parsecs (=1956 light-years) from Earth and has "a sky of three suns." New Texas has a native population of "Prairie People," which are small beings who resemble prairie dogs (both Scuzz and Fuzz are members of this species), and has been colonized by a multi-planet government. A mineral called Kerium, a rare and powerful crystal of great importance in spacefaring societies said to be ten times more valuable than gold, is discovered there, giving the planet a valuable natural resource. Most of the episodes revolve around the heroes preventing the villains from stealing Kerium ore.
The culture of the New Texas colony (inhabited predominantly by humans but also by various aliens and robots) bears a remarkable resemblance to the culture of the American Old West. In addition to Kerium mining, the planet is also the site of "solacow" ranching. "Solacows" are large cattle-like creatures.
Two episodes are set on Earth, where the city of London resembles Victorian England, including a time travelling Sherlock Holmes. This lends a steampunk flavor to the series and is a logical extension of the series' setting.
Read more about this topic: Brave Starr
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (18351910)
“We have defined a story as a narrative of events arranged in their time-sequence. A plot is also a narrative of events, the emphasis falling on causality. The king died and then the queen died is a story. The king died, and then the queen died of grief is a plot. The time sequence is preserved, but the sense of causality overshadows it.”
—E.M. (Edward Morgan)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)