The Paintings
In his frescos, Masaccio carries out a radical brek from the medieval pictorial tradition, by adhering to the new Renaissance perspectival conception of space. Thus, perspective and light create deep spaces where volumetrically constructed figures move in a strongly individualised human dimension. Masaccio therefore continues on Giotto's path, detaching himself from a symbolic vision of man and propounding a greater realistic painting.
The paintings are explained below in their narrative order.
Read more about this topic: Brancacci Chapel
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“Not Seeing is Believing you ninny, but Believing is Seeing. For modern art has become completely literary: the paintings and other works exist only to illustrate the text.”
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“It is not your paintings I like, it is your painting.”
—Albert Camus (19131960)