Brad Bird - Career

Career

Upon graduating from the California Institute of the Arts, Bird began working for Disney. His tenure with Disney was brief, and he left the company shortly after working on The Fox and the Hound in 1981.

He next worked on animated television series, with much shorter lead times. He was the creator (writer, director, and co-producer) of the Family Dog episode of Steven Spielberg's Amazing Stories. In addition, Bird co-wrote the screenplay for the live-action film *batteries not included. In 1989 Bird joined Klasky Csupo, where he helped to develop The Simpsons from one-minute shorts on The Tracey Ullman Show into a series of half-hour programs. In 1990, he directed the episode "Krusty Gets Busted" (which marked the first speaking role of Sideshow Bob) and co-directed the Season Three episode "Like Father, Like Clown." He served as an executive consultant for the show for its first eight seasons. Also while at Klasky Csupo, he was one of the animators of the Rugrats pilot "Tommy Pickles and the Great White Thing". He worked on several other animated television series, including The Critic and King of the Hill, before pitching Warner Brothers to write and direct the animated film The Iron Giant. Despite receiving near-universal acclaim from critics, it failed at the box office domestically, but grossed $103 million worldwide, making it at least a moderate box office success. The film impressed his old friend John Lasseter, founder of the computer-animation pioneer Pixar. Bird pitched the idea for The Incredibles to Pixar. In the finished picture, Bird also provides the voice of costume designer Edna Mode. As an inside joke, the character Syndrome was based on Bird's likeness (as was Mr. Incredible) and according to him, he did not realize the joke until the movie was too far into production to have it changed. The film became both a major critical and financial success. As a result, Bird won his first Academy Award for Best Animated Feature, and his screenplay was nominated for Best Original Screenplay.

In the middle of 2005, Bird was asked by the Pixar management team to take over Ratatouille from its previous director Jan Pinkava. This change was announced in March 2006, during a presentation at a Disney shareholders meeting. The film was released in 2007; like The Incredibles, the film was another critical and box office success. In January 2008, Ratatouille won the Best Animated Feature award at the Golden Globes; it was also nominated for 5 Academy Awards, including Best Animated Feature and Best Original Screenplay. On February 24, 2008, Ratatouille won Bird his second Academy Award for Best Animated Feature Film.

Bird has spoken passionately about animation as an art form. When Bird and producer John Walker recorded the Director's Commentary for The Incredibles' DVD, he jokingly offered to punch the next person that he heard call animation a genre instead of an art form. Bird believes animation can be used to tell any kind of story—drama or comedy, for an adult audience or children.

Before he was sidetracked by Ratatouille, Bird began work on a film adaptation of James Dalessandro's novel 1906, which would be his first live action project. In March 2008, Bird resumed work on the film, which is a co-production between Pixar and Warner Bros. The novel, narrated by reporter Annalisa Passarelli, examines police officers battling corruption in the government that causes the 1906 San Francisco earthquake to turn into such a disaster. The script was co-written by John Logan. Blogger Jim Hill suggested the film has been on hold due to Disney / Pixar and Warner Bros.' nervousness over the projected $200 million budget. In May 2010, with 1906 apparently still stalled, Bird signed on as the director of Mission: Impossible – Ghost Protocol, produced by Tom Cruise and J. J. Abrams. The collaboration was suggested by Tom Cruise following the release of The Incredibles, and was created with the help of J.J. Abrams, who sent Bird a late night text message saying "Mission?". The film was an international hit, grossing almost $700 million.

In May 2012, it was reported that Bird has been attached as the director for 1952, whose screenplay will be written by Damon Lindelof.