Identity of Model
As with all of Caravaggio's early output, much remains conjectural, and the identity of the model has been debated.
One theory is that the model was Mario Minniti, Caravaggio's companion and the model for several other paintings from the period; the bouffant, curly dark hair and pursed lips look similar, but in other pictures such as Boy with a Basket of Fruit and The Fortune Teller Mario looks less effeminate.
Michael Fried has proposed instead that the painting is a disguised self-portrait of Caravaggio. Fried argues that the subject's hands - one stretched out, the other raised up - are in a similar position to those of a painter holding a palette while painting.
Read more about this topic: Boy Bitten By A Lizard (Caravaggio)
Famous quotes containing the words identity of, identity and/or model:
“Though your views are in straight antagonism to theirs, assume an identity of sentiment, assume that you are saying precisely that which all think, and in the flow of wit and love roll out your paradoxes in solid column, with not the infirmity of a doubt.”
—Ralph Waldo Emerson (1803–1882)
“One of the most highly valued functions of used parents these days is to be the villains of their children’s lives, the people the child blames for any shortcomings or disappointments. But if your identity comes from your parents’ failings, then you remain forever a member of the child generation, stuck and unable to move on to an adulthood in which you identify yourself in terms of what you do, not what has been done to you.”
—Frank Pittman (20th century)
“The playing adult steps sideward into another reality; the playing child advances forward to new stages of mastery....Child’s play is the infantile form of the human ability to deal with experience by creating model situations and to master reality by experiment and planning.”
—Erik H. Erikson (20th century)