Boys in Art
Many mythological boys have frequently been represented in various arts, e.g. Venus' often mischievous son Cupid, himself a young god of love which he 'inflicts' on humans by shooting his arrows; in some style periods even multiplied as naked little boys called putti.
In religious art, generally adults preponderate (except as extras), with certain marked, stereotypical exceptions such as the infant Jesus or angels which may even act as 'Christianized' putti.
In children's books of English folklore, elves are often portrayed as mischievous little boys who are very small with leaf-shaped ears and blond hair.
In portrait art, and generally in commissioned work (including funeral art), the subjects are usually determined by the wishes of the (adult) client, so minors are often in the minority, yet in wealthy families especially heirs are (re)presented as part of their social positioning in view of future marriage and succession, generally either as mini-adults or stereotypical youth, e.g. at play or in cozy home scenes.
Some artists displayed a clear predeliction for scenes with boys, in certain cases (especially if frequently depicting revealing poses) believed to have to do with a homo-erotic taste, as is believed of the highly respected Old Master Caravaggio, or Henry Scott Tuke who kept producing such works even though the market circa 1900 was rather unappreciative.
In music, boys' voices, before they 'break' being of a soprano register (specifically known as treble) unlike adult men (in a choir usually tenor and bass), have been most sought-after, especially where female voices were considered inappropriate as often in church and certain theatrical music - this even led to the practice of physically trying to prevent their 'angelical' voices ever to break by surgically cutting short the hormonal drive to manhood: for centuries, castrato singers, who coupled adult strength and experience with a treble register, starred in contratenor parts, mainly in operatic styles.
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“What distinguishes modern art from the art of other ages is criticism.”
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