String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki (particularly his Threnody to the Victims of Hiroshima), Witold Lutosławski, George Crumb, and Helmut Lachenmann.
Famous quotes containing the words bowed, string, instrument, extended and/or technique:
“he bowed and
not flinching from her black breath
gave her his arm....”
—Denise Levertov (b. 1923)
“... looped with the creep of varying light,
Monkey-brown, fish-grey, a string of infected circles
Loitering like bullies, about to coagulate....”
—Philip Larkin (1922–1986)
“The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.”
—Alla Nazimova (1879–1945)
“The civility which money will purchase, is rarely extended to those who have none.”
—Charles Dickens (1812–1870)
“I cannot think that espionage can be recommended as a technique for building an impressive civilisation. It’s a lout’s game.”
—Rebecca West (1892–1983)