String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki (particularly his Threnody to the Victims of Hiroshima), Witold Lutosławski, George Crumb, and Helmut Lachenmann.
Famous quotes containing the words bowed, string, instrument, extended and/or technique:
“... having bowed to the inevitability of the dictum that we must eat to live, we should ignore it and live to eat ...”
—M.F.K. Fisher (1908–1992)
“... looped with the creep of varying light,
Monkey-brown, fish-grey, a string of infected circles
Loitering like bullies, about to coagulate....”
—Philip Larkin (1922–1986)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (1845–1923)
“I have been accustomed to make excursions to the ponds within ten miles of Concord, but latterly I have extended my excursions to the seashore.”
—Henry David Thoreau (1817–1862)
“In love as in art, good technique helps.”
—Mason Cooley (b. 1927)