String instruments are capable of producing a variety of extended technique sounds. These alternative playing techniques have been used extensively since the 20th century. Particularly famous examples of string instrument extended technique can be found in the music of Krzysztof Penderecki (particularly his Threnody to the Victims of Hiroshima), Witold Lutosławski, George Crumb, and Helmut Lachenmann.
Famous quotes containing the words bowed, string, instrument, extended and/or technique:
“... having bowed to the inevitability of the dictum that we must eat to live, we should ignore it and live to eat ...”
—M.F.K. Fisher (1908–1992)
“... looped with the creep of varying light,
Monkey-brown, fish-grey, a string of infected circles
Loitering like bullies, about to coagulate....”
—Philip Larkin (1922–1986)
“The more dubious and uncertain an instrument violence has become in international relations, the more it has gained in reputation and appeal in domestic affairs, specifically in the matter of revolution.”
—Hannah Arendt (1906–1975)
“The civility which money will purchase, is rarely extended to those who have none.”
—Charles Dickens (1812–1870)
“I cannot think that espionage can be recommended as a technique for building an impressive civilisation. It’s a lout’s game.”
—Rebecca West (1892–1983)