Bound And Gagged: Pornography and the Politics of Fantasy in America is a 1996 book by Laura Kipnis. It attempts to approach pornography in a new way, focusing not on whether pornography is a serious social ill, but rather on its nature and what its function and meaning might be in the lives of its audience as well as the lives of those who seek to ban or suppress it.
The book is divided into five sections, each of which can stand more or less independently as individual essays:
- "Fantasy In America: The United States v. Daniel Thomas DePew" presents an account of the first computer bulletin board entrapment case, in which Daniel DePew is convicted of conspiring to make a snuff film and sentenced to thirty-three years in prison even though there was little evidence that his "plans" were anything other than kinky sexual fantasy.
- "Clothes Make The Man" is a look at transvestite pornography, specifically the self-portrait personal advertistements, comparing them to the more "respectable" work of photographer Cindy Sherman.
- "Life In The Fat Lane" is about fat fetish pornography and contemporary American culture's anxiety and hypocrisy about fat and desire. She argues that pornography featuring obese subjects is a revolt against the cultural esthetic of thinness.
- "Disgust And Desire: Hustler Magazine" discusses Larry Flynt's use of pornography as a political, class-conscious act. It also examines feminists' disgust with Hustler and similar magazines because they are class-based.
- "How To Look At Pornography," the book's conclusion, discusses (among other things) the marriage of anti-pornography writer Catharine MacKinnon and anti-psychoanalytic writer Jeffrey Masson.
Kipnis rejects the more militant anti-pornography views expressed by feminists such as Andrea Dworkin and dismisses the conservative movement to exempt pornography from First Amendment protection. She sets out her view that pornography is a legitimate cultural expression which exposes class prejudices and sexual hypocrisy while it deliberately seeks to transcend taboos. The book involves themes including Freudian analysis, consumer capitalism, and societal taboos.
Famous quotes containing the words bound and, bound, politics, fantasy and/or america:
“Struggling in my father’s hands,
Striving against my swaddling bands,
Bound and weary, I thought best
To sulk upon my mother’s breast.”
—William Blake (1757–1827)
“We that are bound by vows and by promotion,
With pomp of holy sacrifice and rites,
To teach belief in good and still devotion,
To preach of heaven’s wonders and delights—
Yet, when each of us in his own heart looks,
He finds the God there far unlike his books.”
—Fulke Greville (1554–1628)
“...to many a mother’s heart has come the disappointment of a loss of power, a limitation of influence when early manhood takes the boy from the home, or when even before that time, in school, or where he touches the great world and begins to be bewildered with its controversies, trade and economics and politics make their imprint even while his lips are dewy with his mother’s kiss.”
—J. Ellen Foster (1840–1910)
“People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent “the past” and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.”
—Johan Huizinga (1872–1945)
“We worship not the Graces, nor the Parcæ, but Fashion. She spins and weaves and cuts with full authority. The head monkey at Paris puts on a traveller’s cap, and all the monkeys in America do the same.”
—Henry David Thoreau (1817–1862)