Born To Run (song) - Recording

Recording

In recording the song Springsteen first earned his noted reputation for perfectionism, laying down as many as eleven guitar tracks to get the sound just right. The recording process and alternate ideas for the song's arrangement are described in the Wings For Wheels documentary DVD included in the 2005 reissue Born to Run 30th Anniversary Edition package.

The track was recorded at 914 Sound Studios in Blauvelt, New York amidst touring breaks during 1974, with final recording done on August 6, well in advance of the rest of the album, and featured Ernest "Boom" Carter on the drums and David Sancious on keyboards; they would be replaced by Max Weinberg and Roy Bittan for the rest of the album and in the ongoing E Street Band (which was still uncredited on Springsteen's records at the time). The song was also recorded with only Springsteen and Mike Appel as producers; it would be later in the following year, when work on the album bogged down, that Jon Landau was brought in as an additional producer. Future record executive Jimmy Iovine engineered the majority of the sessions.

A pre-release version of the song, with a slightly different mix, was given by Appel to disc jockey Ed Sciaky of WMMR in Philadelphia in early November 1974, and within a couple of weeks was given to other progressive rock radio outlets as well, including WNEW in New York, WMMS in Cleveland, WBCN in Boston, and WVBR in Ithaca, New York. It immediately became quite popular on these stations, and led to cuts from Springsteen's first two albums being frequently played as well as building anticipation for the album release.

Upon release in August 1975, the song and the album became unparalleled successes for Springsteen, springing him into stardom, and resulting in simultaneous cover stories in Time and Newsweek magazines.

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Famous quotes containing the word recording:

    He shall not die, by G—, cried my uncle Toby.
    MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.
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    Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
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