Reception
The reviews of the film were extremely positive. On Rotten Tomatoes, the film holds a score of 89% of positive reviews by critics, based on 37 reviews. Roger Ebert gave the film "four stars". Metacritic reported that the film had an average score of 75 out of 100. The New York Times says: "It is a film of enormous visceral power with, in the central role, a performance by Tom Cruise that defines everything that is best about the movie." Peter Travers of Rolling Stone says: "Stone has found Cruise the ideal actor to anchor the movie with simplicity and strength. Together they do more than show what happened to Kovic. Their fervent, consistently gripping film shows why it still urgently matters." Many critics also praised Tom Cruise's performance and Oliver Stone's direction of the film. Stone would later be awarded with an Oscar and a Golden Globe for directing while Tom Cruise received the Golden Globe Award for Best Actor.
Notable critics who gave the film negative reviews include Jonathan Rosenbaum, who said: "he movie's conventional showbiz finale, brimming with false uplift, implies that the traumas of other mutilated and disillusioned Vietnam veterans can easily be overcome if they write books and turn themselves into celebrities." Hal Hinson of the Washington Post called the film "hysterical and overbearing and alienating." Sheila Benson of the Los Angeles Times wrote: "he director has lost the specificity that made Platoon so electrifying. In its place he uses bombast, overkill, bullying."
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Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)