History
Borderline was launched as a free download in August 2001. The idea of creator Hall was to produce something that appealed to the growing number of comic book fans, but didn't want just a website. Hall said in a 2007 interview with The Comics Village that the decision to create Borderline came from the growing amount of grassroots comics fans who wanted more than just to read magazines about Marvel and DC comics. The magazine's remit was to highlight areas of the comics industry that were neglected by the other magazines about comics.
By issue #3, the magazine had gained an audience of over 150,000 readers, much of this due to features on Brazilian and South American comics. Hall attributes the publicity gained in South America from the magazine's good relationship with Mauricio de Sousa Productions, Brazil's leading comics publisher.
Due to Borderline's large readership and independent bias, the magazine had exclusive interviews with people who wouldn't normally give interviews, such as Chris Ware, Steve Gerber, and Charles Burns.
Despite the success, after twenty monthly issues and one special, the magazine folded in March 2003, shortly after it started to charge $1. According to the magazine's publisher, Martin Shipp, only an average of 100 people paid to buy issues 17 thru 20 of the magazine, with the majority of those sales from either South America, Europe or comics creators who had been featured in the magazine's pages. Sales in countries where the magazine was intended to target, UK or USA, were nominal.
The following summer, the Borderline Summer Special was released, still a PDF but in standard magazine format; the slimmed down editorial team made promises of new issues, but have yet to materialise. However, former Borderline features editor Jay Eales has recently resurrected much of the content; aiming it at a new audience, via his website FactOrFictionPress.co.uk.
In October 2003, Phil Hall and Martin Shipp attended the Łódź comic convention. Invited as one of the major guests for the event (along with Pat Mills and Clint Langley), Shipp said in an interview that it was "one of the most humbling experiences of my life. A place where the people behind the scenes are treated just as importantly as the people who produce the actual comics." Hall said on his blog in 2008, "It was a fitting swan song to the project, but it left us feeling like we owed Europe and South America far more than any of the people we thought we were doing it for. It was a valiant experiment, which by today's standards, still stands up extremely well."
Read more about this topic: Borderline Comics Magazine
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