Boomin' Words From Hell - Reception

Reception

According to Smith, the album's lyrical content was so dark that it was the subject of many rumors:

"People got the first album, and they would just make up stories. They'd get into an accident and be like, 'I got into an accident because I was playing that tape.' It wasn't like we helped ourselves when we described what was in people's heads. It wasn't to shock people, though, but to get people involved in what we were doing. We had to get peoples' attention. We said a lot of things that people wanted to say but didn't say. We talked about a lot of political and social that people didn't want to talk about."

Esham found it difficult to develop a fanbase, because many wrote off the dark content of his lyrics and imagery as shock value, while hip hop fans did not connect to the album because of Smith's heavy metal influences. In All Music Guide to Hip-Hop Jason Birchmeier writes that "Many of the songs here are fairly mediocre relative to Esham's later work, but there are a few gems here that foreshadow his subsequent work." Rap Reviews reviewer John-Michael Bond wrote that "the fully realized darkness that surrounds both soundtrack and verses on Boomin Words... stands as a stark reminder that just because someone's a kid doesn't mean he can't have anything to say."

Read more about this topic:  Boomin' Words From Hell

Famous quotes containing the word reception:

    Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.
    Jonathan Swift (1667–1745)

    Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.
    Rémy De Gourmont (1858–1915)

    He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!
    Billy Wilder (b. 1906)