Reception
The "Bonzo Goes to Bitburg" single did not chart highly in Great Britain, it peaked at the low position of #81. Though available only as an import in 1985, it was put into rotation by many American college radio stations, and record stores that handled imports reported robust sales. It inspired Steven Van Zandt to request Joey's participation in his Artists United Against Apartheid single "Sun City", released that October, in which Joey sang a line again protesting Reagan's policies. The single was also a major critical success. Reviewing it for Spin, John Leland wrote,
Just listen to Johnny's freight cars of guitar chords, Dee Dee's "ahh, naa naa naa" surf harmonies, and Joey's down-to-earth irritation at watching our commander in chief on TV. The Ramones are so brilliant because they perceive the world the way regular people do—through television. "Go Home Ann" is ... powerful but lacks that patented Ramones bubblegum melody. "Daytime Dilemma," on the other hand, is the 1910 Fruitgum Company with giant blocks of Gibson guitar.
In the annual Pazz & Jop Critics Poll conducted by The Village Voice, "Bonzo Goes to Bitburg" was ranked the fifth best single of 1985. In his review of Animal Boy, Rolling Stone's David Fricke called the song "brilliant". He wrote that it "vividly captures the sense of helplessness and confusion felt by rock youth in the Age of Reagan". Salon's Wyman retrospectively describes it as "the group's greatest song and greatest vocal performance".
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Famous quotes containing the word reception:
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind of reception it meets in the world, and that so very few are offended with it.”
—Jonathan Swift (1667–1745)
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.”
—Lewis H. Lapham (b. 1935)