Bonanza Air Lines Flight 114 was a Fairchild F-27 turboprop airliner flying out of Phoenix, Arizona to McCarran International Airport in Las Vegas, Nevada, on the evening of November 15, 1964.
At 8:25 p.m., during a landing approach in poor weather conditions, it crashed into the top of a hill in open desert country about 10 miles (16 km) SSW of Las Vegas. All 29 aboard -- 26 passengers and a crew of three -- died instantly when the plane exploded on impact, no more than 10 feet (3 m) below a ridge crest. Although this was not the only incident involving a Bonanza Air Lines airplane, it is the only crash with fatalities during the airline's 23-year history.
Media reports initially stated that 28 had died, but these were corrected when the body of a very young girl was found amid the debris. The rugged terrain and snowdrifts surrounding the crash site initially prevented ground vehicles from reaching the wreckage, so four helicopters assisted in the recovery efforts. Eventually a narrow, unimproved road one mile long that climbs up a ridge and terminates at the hilltop crash site was built to assist in salvage operations; it can still be seen in current aerial photos.
Pilot Henry "Hank" Fitzpatrick, a veteran with over 11,000 hours experience, was initially blamed for flying too low due to misreading the approach chart for McCarran International, but an investigation years later showed that the chart was marked in a non-standard, and possibly confusing, manner. Some heirs of the crash victims sued the publisher of the chart, but before a verdict was reached in the wrongful death lawsuit the chart company, Jeppesen, agreed to pay the plaintiffs US$490,000.
Famous quotes containing the words air, lines and/or flight:
“This was Venice, the flattering and suspect beautythis city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism.”
—Thomas Mann (18751955)
“It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.”
—Oswald Spengler (18801936)
“What a cunning mixture of sentiment, pity, tenderness, irony surrounds adolescence, what knowing watchfulness! Young birds on their first flight are hardly so hovered around.”
—Georges Bernanos (18881948)