Bombface - Chester Gould's Reaction

Chester Gould's Reaction

Newspaper editors began clamoring for Fosdick to star in his own strip, something Capp briefly considered. Chester Gould, the creator of Dick Tracy, reportedly did not find Capp’s parody particularly funny. This isn't surprising, since Fearless Fosdick lampoons every aspect of Dick Tracy, all grossly exaggerated for comic effect, from Fosdick's impossibly square-jawed profile to his propensity for creating mayhem beyond all reason. The style of the Fosdick sequences closely mimics Tracy—including the urban setting, the outrageously grotesque villains, the galloping mortality rate, the thick square panels, the crosshatched shadows, and even the lettering style.

Gould was also probably less than enamored of his own unflattering portrayal in the character of Fosdick's "creator," the diminutive and occasionally mentally deranged cartoonist Lester Gooch. (Even Gooch's bogus "autograph" in the panels of Fearless Fosdick is a parody, a direct takeoff of Gould's own famously flamboyant signature.) Gooch toiled for the abusive and corrupt "Squeezeblood Syndicate," a dig at Capp's own real-life syndicate, United Features, which owned Li'l Abner until Capp successfully wrested back ownership in 1948.

Whatever Capp really thought of Dick Tracy, he always went out of his way to praise Gould and his strip in conversation and in print, invariably referring to it as "Chester Gould's magnificent Dick Tracy." In The World of Li'l Abner (1953), Capp even credited Dick Tracy (along with Little Orphan Annie) with directly influencing Abner, prompting his early decision to add suspense to the humorous feature. "The greatest tribute paid to Chester Gould by another famous comic strip artist and storyteller and his creation was, of course, Al Capp's Fearless Fosdick," wrote author and Dick Tracy expert Garyn G. Roberts in 1993. "In short, Fearless Fosdick was a great deal of fun, but must be taken seriously as a loving tribute to Chester Gould and Dick Tracy."

To his great credit, Gould never publicly objected to Fearless Fosdick, or made any attempt to interfere with Capp's continuing the feature during the 35 years in which it appeared. Gould and Capp met only once, according to Capp (interviewed in Cartoonist PROfiles #37, March 1978). It was reportedly a friendly meeting, and Gould took the occasion to thank Capp for doing what he called "full-time press agentry for another comic strip." Capp readily agreed. Unlike Gould, Max Allan Collins, who took over the helm of Dick Tracy when Gould retired, thoroughly enjoyed Fearless Fosdick and even wrote an appreciative foreword to a recently published collection of Fosdick cartoons.

Besides Dick Tracy, Capp spoofed many other comic strips in Li'l Abner, including Steve Canyon, Superman (at least twice; first as "Jack Jawbreaker!" in 1947 and again in 1966 as "Chickensouperman!"), Mary Worth, Peanuts, Rex Morgan, M.D., Little Annie Rooney, and Little Orphan Annie. Although they proved fertile sources of parody—most memorably "Little Fanny Gooney" (1952), "Rex Moonlight, M.D." (1956),"Steve Cantor" and "Mary Worm" (1957)—no other strip seemed to provide Capp with the same bottomless well of inspiration as Dick Tracy. Later comic strip parodies were mostly one-shot affairs. They never achieved quite the same degree of repeat success or sustained popularity as Fearless Fosdick.