Significance
The design of the Sanctuary of Bom Jesus, with its Baroque nature emphasised by the zigzag form of its stairways, influenced many other sites in Portugal (like Lamego) and colonial Brazil, like the Sanctuary of Congonhas. As the pilgrims climbed the stairs, (by tradition encouraged to do so on their knees) they encountered a theological programme that contrasted the senses of the material world with the virtues of the spirit, at the same time as they experienced the scenes of the Passion of Christ. The culmination of the effort was the temple of God, the church on the top of the hill. The presence of several fountains along the stairways give the idea of purification of the faithful.
The new church (built 1784–1834) by Carlos Amarante was one of the first Neoclassic churches of Portugal.
Read more about this topic: Bom Jesus Do Monte
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