Connecting Bus Routes
Société de transport de Montréal | |||
---|---|---|---|
No. and Route Name! Service Times | Route Map | Schedule | |
64 Grenet | Regular | Map | Schedule |
126 Polyvalente-Émile-Legault | School days only | Map | Schedule |
164 Dudemaine | Regular | Map | Schedule |
170 Keller | Map | Schedule | |
215 Henri Bourassa | Regular, Located on blvd. Henri-Bourassa | Map | Schedule |
382 Pierrefonds/Saint Charles | Overnight | Map | Schedule |
468 Trainbus Pierrefonds | Rush hour, Located on Grenet and Henri-Bourassa | Map | Schedule |
Société de transport de Laval | |||
No. and Route Description | Service Times | Route Map (Click on "Route map") | Schedule |
55 to/from Laval-Ouest and Henri-Bourassa Terminus Nord via Gare Du Ruisseau and via Gare Bois-de-Boulogne. The stops are on Grenet Street. |
Regular | Map | Schedule, north bound South bound |
144 to/from Sainte-Dorothée, Chomedey, and Terminus Côte-Vertu at the Côte-Vertu Metro station. The stops are on Marcel Laurin Boulevard. |
Map | Schedule, west bound East bound |
|
151 to/from Chomedey, Fabreville, Sainte-Rose and Terminus Côte-Vertu at the Côte-Vertu Metro station. The stops are on Marcel Laurin Boulevard. |
Map | Schedule, north bound South bound |
|
902 to/from Terminus Le Carrefour at Le Carrefour Laval and Terminus Côte-Vertu at the Côte-Vertu Metro station. The stops are on Marcel Laurin Boulevard. |
Regular, on week days | Map | Schedule, north bound South bound |
|
Read more about this topic: Bois-Franc (AMT)
Famous quotes containing the words connecting, bus and/or routes:
“Mine was, as it were, the connecting link between wild and cultivated fields; as some states are civilized, and others half-civilized, and others savage or barbarous, so my field was, though not in a bad sense, a half-cultivated field. They were beans cheerfully returning to their wild and primitive state that I cultivated, and my hoe played the Ranz des Vaches for them.”
—Henry David Thoreau (18171862)
“An actor rides in a bus or railroad train; he sees a movement and applies it to a new role. A woman in agony of spirit might turn her head just so; a man in deep humiliation probably would wring his hands in such a way. From straws like these, drawn from completely different sources, the fabric of a character may be built. The whole garment in which the actor hides himself is made of small externals of observation fitted to his conception of a role.”
—Eleanor Robson Belmont (18781979)
“The myth of independence from the mother is abandoned in mid- life as women learn new routes around the motherboth the mother without and the mother within. A mid-life daughter may reengage with a mother or put new controls on care and set limits to love. But whatever she does, her childs history is never finished.”
—Terri Apter (20th century)