Bodily mutilation in film describes the apparent mutilation for theatrical purposes of a character in a film. Bodily mutilation is most usually portrayed in the context of horror, but is also used in other genres, such as medical dramas or war films. It is used primarily either to shock or fascinate the audience of a film, or to add a sense of realism to a film. Improved special effects in recent decades have seen an increase in the prevalence of bodily mutilation in film.
Read more about Bodily Mutilation In Film: Movies and Television Shows, Techniques
Famous quotes containing the words bodily, mutilation and/or film:
“Of the three forms of pride, that is to say pride proper, vanity, and conceit, vanity is by far the most harmless, and conceit by far the most dangerous. The meaning of vanity is to think too much of our bodily advantages, whether real or unreal, over others; while the meaning of conceit is to believe we are cleverer, wiser, grander, and more important than we really are.”
—John Cowper Powys (1872–1963)
“Saigon was an addicted city, and we were the drug: the corruption of children, the mutilation of young men, the prostitution of women, the humiliation of the old, the division of the family, the division of the country—it had all been done in our name.... The French city ... had represented the opium stage of the addiction. With the Americans had begun the heroin phase.”
—James Fenton (b. 1949)
“The woman’s world ... is shown as a series of limited spaces, with the woman struggling to get free of them. The struggle is what the film is about; what is struggled against is the limited space itself. Consequently, to make its point, the film has to deny itself and suggest it was the struggle that was wrong, not the space.”
—Jeanine Basinger (b. 1936)