Induction To The Rock & Roll Hall of Fame and Initial Controversy
In 1986, the first committee of the Rock & Roll Hall of Fame announced that Brown, the Famous Flames' lead singer, would be inducted among nine other legendary musicians. However, the committee failed to include the other original Famous Flames, including Byrd, Johnny Terry, Bobby Bennett and Lloyd Stallworth, leading to a controversy that lasted more than 25 years and puzzled longtime fans of the group. In late 2011, the Rock & Roll Hall of Fame formed a special committee to discuss several pioneering groups who they felt deserved to be inducted that weren't inducted with their front men. The committee's decision led to them inducting the Famous Flames, including group founder Byrd, to the Hall without a need for nomination or voting, under the premise that they should have been inducted with Brown back in 1986, since Brown's first solo recording missed the 25-year criteria that was taken to induct performing musicians. Byrd, Stallworth (c. 2001) and Terry had long been deceased by this point and Bobby Bennett, the group's only surviving member, accepted the honor on behalf of the group.
Read more about this topic: Bobby Byrd
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“They relieve and recommend each other, and the sanity of society is a balance of a thousand insanities. She punishes abstractionists, and will only forgive an induction which is rare and casual.”
—Ralph Waldo Emerson (1803–1882)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“As I define it, rock & roll is dead. The attitude isn’t dead, but the music is no longer vital. It doesn’t have the same meaning. The attitude, though, is still very much alive—and it still informs other kinds of music.”
—David Byrne (b. 1952)
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—Ralph Waldo Emerson (1803–1882)
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—Thomas Hobbes (1579–1688)