Bo Schembechler - Head Coaching Record

Head Coaching Record

Year Team Overall Conference Standing Bowl/playoffs Coaches# AP°
Miami Redskins (Mid-American Conference)
1963 Miami 5–3–2 4–1–1 2nd
1964 Miami 6–3–1 4–2 T–2nd
1965 Miami 7–3 5–1 T–1st
1966 Miami 9–1 5–1 T–1st
1967 Miami 6–4 4–2 T–3rd
1968 Miami 7–3 5–1 2nd
Miami: 40–17–3 27–8–1
Michigan Wolverines (Big Ten Conference)
1969 Michigan 8–3 6–1 T–1st L Rose 8 9
1970 Michigan 9–1 6–1 2nd 7 9
1971 Michigan 11–1 8–0 1st L Rose 4 6
1972 Michigan 10–1 7–1 T–1st 6 6
1973 Michigan 10–0–1 7–0–1 T–1st 6 6
1974 Michigan 10–1 7–1 T–1st 5 3
1975 Michigan 8–2–2 7–1 2nd L Orange 8 8
1976 Michigan 10–2 7–1 T–1st L Rose 3 3
1977 Michigan 10–2 7–1 T–1st L Rose 8 9
1978 Michigan 10–2 7–1 T–1st L Rose 5 5
1979 Michigan 8–4 6–2 3rd L Gator 19 18
1980 Michigan 10–2 8–0 1st W Rose 4 4
1981 Michigan 9–3 6–3 T–3rd W Bluebonnet 10 12
1982 Michigan 8–4 8–1 1st L Rose 15
1983 Michigan 9–3 8–1 2nd L Sugar 9 8
1984 Michigan 6–6 5–4 T–6th L Holiday
1985 Michigan 10–1–1 6–1–1 2nd W Fiesta 2 2
1986 Michigan 11–2 7–1 T–1st L Rose 7 8
1987 Michigan 8–4 5–3 4th W Hall of Fame 18 19
1988 Michigan 9–2–1 7–0–1 1st W Rose 4 4
1989 Michigan 10–2 8–0 1st L Rose 8 7
Michigan: 194–48–5 143–24–3
Total: 234–65–8

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Famous quotes containing the words head and/or record:

    “I ask whether the mere eating of human flesh so very far exceeds in barbarity that custom which only a few years since was practised in enlightened England:Ma convicted traitor, perhaps a man found guilty of honesty, patriotism, and suchlike heinous crimes, had his head lopped off with a huge axe, his bowels dragged out and thrown into a fire; while his body, carved into four quarters, was with his head exposed upon pikes, and permitted to rot and fester among the public haunts of men!”
    —Herman Melville (1819–1891)

    “All photographs are there to remind us of what we forget. In this—as in other ways—they are the opposite of paintings. Paintings record what the painter remembers. Because each one of us forgets different things, a photo more than a painting may change its meaning according to who is looking at it.”
    —John Berger (b. 1926)