Character Design
Blue Mary's original visual inspiration was Android 18, a character from the manga Dragon Ball by Akira Toriyama.
Blue Mary is noted for having short blonde hair and blue eyes, and a highly muscular body. In Fatal Fury 3 and Real Bout Fatal Fury, Mary wears a small sleeveless red top and loose blue jeans with the sign of a star. She also wears a brown belt around the jeans (which is noted to become longer in following games), blue fingerless gloves and a green leather jacket that she takes off before fighting. In Real Bout Fatal Fury Special Mary now wears her green jacket in battles and now has her top replaced with a blue brassiere. In contrast to this, her "EX" form - as well as her character in the PlayStation port of this game - has the same appearance, but with the jacket red and a black brassiere. Although Blue Mary had this new look, for KOF her designer wanted to use the original Fatal Fury 3 design as he liked it more. However, she appears in KOF: Maximum Impact Regulation A with her Real Bout Fatal Fury Special design. Although Mary does not appear in the final Fatal Fury game, Garou: Mark of the Wolves (set ten years after Real Bout Fatal Fury), she appears in the game's accompanying short, Memories of Stray Wolves. In the featurette, Mary now has longer hair and wears a red and white jacket with the number "8" on each arm. She also sports a white blouse under the jacket and now has brown jeans.
Read more about this topic: Blue Mary
Famous quotes containing the words character and/or design:
“The actor should not play a part. Like the Aeolian harps that used to be hung in the trees to be played only by the breeze, the actor should be an instrument played upon by the character he depicts.”
—Alla Nazimova (18791945)
“We find that Good and Evil happen alike to all Men on this Side of the Grave; and as the principle Design of Tragedy is to raise Commiseration and Terror in the Minds of the Audience, we shall defeat this great End, if we always make Virtue and Innocence happy and successful.”
—Joseph Addison (16721719)