Blue Guitars - Album Number Nine - Celtic & Irish Blues

Celtic & Irish Blues

The Blues went in yet another direction, when it started to mingle with Celtic and Scottish/Irish influences, forming still another hybrid. The general feeling of sadness, loss and blues, which is inherent in the Scottish, Irish and Celtic roots anyway, together with an all new instrumentation could lay the basis for a different kind of approach, giving the Blues the typical Celtic feel.

Tracklist:

  1. " Celtic Blue (Celtic And Irish Blues) - 8.11
  2. " Too Far From Home - 7.28
  3. " 'Til The Morning Sun Shines On My Love And Me - 5.39
  4. " Lucky Day - 5.16
  5. " What She Really Is - 5.03
  6. " Wishing Well - 4.11
  7. " Irish Blues - 4.14
  8. " No More Sorrow - 6.05
  9. " While I Remain - 5.30
  10. " Last Drink - 5.17
  11. " 'Til I Find My True Love's Name - 3.42
  12. " Big White Door - 5.36

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Famous quotes containing the words celtic, irish and/or blues:

    “I find very reasonable the Celtic belief that the souls of our dearly departed are trapped in some inferior being, in an animal, a plant, an inanimate object, indeed lost to us until the day, which for some never arrives, when we find that we pass near the tree, or come to possess the object which is their prison. Then they quiver, call us, and as soon as we have recognized them, the spell is broken. Freed by us, they have vanquished death and return to live with us.”
    —Marcel Proust (1871–1922)

    “I rather think the cinema will die. Look at the energy being exerted to revive it—yesterday it was color, today three dimensions. I don’t give it forty years more. Witness the decline of conversation. Only the Irish have remained incomparable conversationalists, maybe because technical progress has passed them by.”
    —Orson Welles (1915–1984)

    “Holly Golightly: You know those days when you’ve got the mean reds?
    Paul: The mean reds? You mean like the blues?
    Holly Golightly: No, the blues are because you’re getting fat or maybe it’s been raining too long. You’re just sad, that’s all. The mean reds are horrible. Suddenly you’re afraid and you don’t know what you’re afraid of.”
    —George Axelrod (b. 1922)