Arrangements and Instrumentation
Throughout the album, Slick's acoustic piano is highlighted. She has said that her chord-heavy technique at the time developed from watching session player Nicky Hopkins during his many recordings with the Airplane. Most of the tracks add standard rock instrumentation to her piano, including electric and acoustic guitars, drums and bass. Thick vocal harmonies backing Kantner and Slick in duet are a signature quality of many of the songs.
A notable exception is "The Baby Tree", which has Kantner singing to solo banjo accompaniment. "Sunrise" is Grace Slick's self-penned solo vocal showcase, in part a duet with herself thanks to multitracking. Here she is predominantly accompanied by Jack Casady playing bass in a series of overdubs. "Have You Seen the Stars Tonite?" features lush vocal harmonies over acoustic instruments with subdued electric guitar overlays. The acoustic parts are centered around Kantner's detuned guitar, using a tuning consisting of octaves and fifths of open C, which David Crosby likens in sound to the droning tones of bagpipes.
Two tracks of the side 2 suite consist entirely of sound effects simulating the starship engines and the flight through space. Scattered among the other songs of the Suite are heavily processed background vocal tracks and sound bites. During the hijack scene, an audio excerpt from the 1953 George Pal film version of War of the Worlds is used to good effect: a woman is heard to call out "Let me through!" followed immediately by the sound of a ray gun firing.
Read more about this topic: Blows Against The Empire
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