Background
Prior to Blonde Vinyl, several Christian record companies attempted and often succeeded in releasing artists who were edgy, creative, and original; these included Narrowpath Records, Broken Records, Exit Records, Alarma Records and Solid Rock Records. However, the Christian industry had started to stagnate artistically when Michael Knott released long awaited albums from his two main bands, LSU and Lifesavers. Blonde Vinyl signed bands with styles that were viable in the underground of the general market but rarely found their way into the Christian market—old school punk, garage rock, grunge, gothic, EBM/industrial, synthpop/house, spoken word, acoustic pop. These were styles which were not nearly as popular at the time as they are now. Blonde Vinyl opened the way for the more profitable Tooth and Nail Records.
Blonde Vinyl folded in 1993 when its distributor, Spectra Distribution, went bankrupt. After bankruptcy, Michael Knott attempted to resurrect Blonde Vinyl Records under the name of Siren Records. Siren only managed two releases before they also went bankrupt. The two releases for Siren records were World Tour by LSU Cash in Chaos and Beautiful Dazzling Music No. 1 by Rainbow Rider (Dance House Children). Following the failure of Siren, Knott went on to found the general market band Aunt Bettys.
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