Blond Ambition World Tour - Concert Synopsis

Concert Synopsis

The show was separated into five different sections: Metropolis, Religious, Dick Tracy, Art Deco and Encore. It began with the Metropolis segment, which was inspired by the Fritz Lang silent film. It begins with "Express Yourself", which includes an introduction from her 1982 song "Everybody". The stage was inspired by the "Express Yourself" music video and set in a large industrial machine-room with shirtless male dancers. Madonna enters the stage at the top of a long staircase, dressed in a pinstripe suit, with cone-bra and garters from her bustier visible. In this segment, Madonna also performs "Open Your Heart" and has a mock-fight with her back-up dancers in "Causing a Commotion" (dressed in colorful bicycling gear). The final performance on this segment is "Where's the Party"; Madonna leaves the stage early for a costume change, while three male dancers continue dancing until the song ends.

The second segment was passionate and religious-themed, beginning with a Middle-Eastern version of "Like a Virgin" sung on a red silk bed. Madonna is dressed in a gold corset and performs with two hermaphrodite dancers on each side of the bed and concludes the song by simulating masturbation. The set is then transformed into a church; Madonna wears a black robe and a large crucifix during "Like a Prayer", with her back-up singers and dancers dressed as nuns and priests. A medley of "Live to Tell" and "Oh Father" and a performance of "Papa Don't Preach" end this section.

The third segment was a cabaret inspired by the 1990 motion picture Dick Tracy, in which Madonna starred as "Breathless Mahoney". During this segment, Madonna was wearing a green and white striped showgirl outfit. It included performances of "Sooner or Later", sung atop a grand piano, "Hanky Panky" and "Now I'm Following You", in which she danced and lip-synched with the dancer Salim Gauwloos, who was dressed like Dick Tracy.

The fourth segment was inspired by 1930s Hollywood films using the work of artist Tamara de Lempicka and an Art Deco set design. Madonna performs "Material Girl" in a mocking dumb blonde voice, wearing hair rollers and bathrobe, (later removed to reveal a dress with pink fur). "Cherish" is performed with three male dancers dressed as mer-men whilst Madonna simulates playing the harp. Madonna ends the section with "Into The Groove" (with a sample from the 1989 Inner City song "Ain't Nobody Better") and a minimal version of "Vogue" performing choreography from its music video, dressed in a black sports bra and lycra shorts.

The fifth and final segment includes the two encores to the show; "Holiday", with Madonna in 1970s polka-dots and ruffles singing a sample from "Do the Bus Stop" and "Keep It Together" inspired by the work of Bob Fosse with Madonna dressed in bowler hat and performing chair-juggling. The "Keep It Together" routine was also inspired by the film A Clockwork Orange and found Madonna speaking with a cockney accent. The show finale has Madonna singing "Keep it together, Keep people together, forever and ever" over and over, finishing with her removing her hat and the spotlight zooming on to it.

The Japan and North American shows featured Madonna in her trademark blonde ponytail hair extensions. However, because the hairpiece kept getting caught in her headset microphone and was pulling her real hair out by the root, she switched to short blonde curls for the European leg of the tour.

After the tour, Madonna and her entire Blond Ambition tour stage troupe recreated a neoclassic-themed performance of Vogue at the 1990 MTV Video Music Awards.

The official tourbook and promotional posters for the tour used photography from the 1989 music video "Express Yourself" and Vogue.