Blind Mountain - Reception

Reception

Along with Diao Yi'nan's Night Train, Blind Mountain was one of only two Chinese films in competition in the 2007 Cannes Film Festival, both for the Prix un certain regard. A third Chinese film, Fengming, a Chinese Memoir by Wang Bing was a documentary and was a "Special Screening" not in competition. Blind Mountain ultimately failed to win anything at Cannes, with the Prix un certain regard going instead to Cristian Nemescu's California Dreamin'.

While the audience at Cannes gave a standing ovation to the film when it was screened, the critics have thus far been mixed in their reaction towards the film. Ray Bennett of The Hollywood Reporter, for example, is generous in his praise of the film's social message and visual beauty, claiming that the Li "draws wonderful performances from a cast that includes local amateurs and professionals, including the utterly credible Huang Lu." In contrast, Derek Elley of Variety was far more subdued in his reaction, and in particular criticizes the film's thin story and poorly drawn characters, such that "there's little emotional underpinning to the rote story." What both critics agreed was above par, however, was the photography of the Taiwanese cinematographer Lin Jong. Other critics expressed sentiments similar to Elley, but nevertheless found the performances effective, particularly by the lead actress. Reception was more positive with the Chinese press. Writing in Hong Kong cultural magazine, Muse, Perry Lam observed, 'What makes this film so heartbreaking and so hard to watch sometimes is its determination to let us experience without varnish the depths of the heroine's despair and meet all the wretched characters who have a role to play in her tragedy.'

On April 19, 2008, Blind Mountain won the Film Award of the Council of Europe (FACE), which is presented at the Istanbul International Film Festival by the Council of Europe to a film that raises public awareness and interest in human rights issues and promotes a better understanding of their significance.

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