Blandings Castle and Elsewhere - Contents

Contents

  • "The Custody of the Pumpkin"
    • US: Saturday Evening Post, 29 November 1924
    • UK: Strand, December 1924
  • "Lord Emsworth Acts for the Best"
    • UK: Strand, June 1926
    • US: Liberty, 5 June 1926
  • "Pig-hoo-o-o-o-ey"
    • US: Liberty, 9 July 1927
    • UK: Strand, August 1927
  • "Company for Gertrude"
    • UK: Strand, September 1928
    • US: Cosmopolitan, October 1928
  • "The Go-getter"
    • US: Cosmopolitan, March 1931 (as ""Sales Resistance")
    • UK: Strand, August 1931
  • "Lord Emsworth and the Girl Friend"
    • US: Liberty, 6 October 1928
    • UK: Strand, November 1928
  • "Mr Potter Takes a Rest Cure"
    • US: Liberty, 23 January 1926 (as "The Rest Cure")
    • UK: Strand, February 1926
  • "Monkey Business"
    • UK: Strand, December 1932
    • US: American Magazine, December 1932 (as "A Cagey Gorilla")
  • "The Nodder"
    • UK: Strand, January 1933
    • US: American Magazine, January 1933 (as "Love Birds")
  • "The Juice of an Orange"
    • UK: Strand, February 1933
    • US: American Magazine, February 1933 (as "Love on a Diet")
  • "The Rise of Minna Nordstrom"
    • UK: Strand, April 1933
    • US: American Magazine, March 1933 (as "A Star is Born")
  • "The Castaways"
    • UK: Strand, June 1933

Read more about this topic:  Blandings Castle And Elsewhere

Famous quotes containing the word contents:

    The permanence of all books is fixed by no effort friendly or hostile, but by their own specific gravity, or the intrinsic importance of their contents to the constant mind of man.
    Ralph Waldo Emerson (1803–1882)

    How often we must remember the art of the surgeon, which, in replacing the broken bone, contents itself with releasing the parts from false position; they fly into place by the action of the muscles. On this art of nature all our arts rely.
    Ralph Waldo Emerson (1803–1882)

    Conversation ... is like the table of contents of a dull book.... All the greatest subjects of human thought are proudly displayed in it. Listen to it for three minutes, and you ask yourself which is more striking, the emphasis of the speaker or his shocking ignorance.
    Stendhal [Marie Henri Beyle] (1783–1842)