Background and Recording
Muse's previous album, Absolution, was released in 2003 to critical acclaim. Absolution had brought the band mainstream exposure in the United States for the first time.
The band retired to an old château in France to write for a new album. Lead singer Matthew Bellamy said that this was because the band wanted to be free from distractions so that they could "concentrate, spend time and be surrounded by different musical influences". The album was partially recorded in the same studio in France as Pink Floyd's album The Wall, which Wolstenhome said was a "great feeling to know that something big had been done ". However, the band found recording there very slow and had difficulties deciding which songs to include on the album. They travelled to New York to finish the recording.
Bassist Christopher Wolstenholme considered writing and recording for Black Holes and Revelations more relaxed than it had been for previous albums, as the band did not have a deadline to work to. It was the first time they had learned about the technology in the studio, having previously left the use of it to the sound engineers. Bellamy said that this was the first time Muse made an album without being concerned about how they would play it live.
"Soldier's Poem", stood out as being "quite unlike anything ever done before". Drummer Dominic Howard said they were originally going to record it with a "massive, epic" approach, but then decided to strip it down and record it in a small studio with vintage equipment and a few microphones. Muse were pleased with the result and Howard described it as a "real highlight", describing the vocals as "some of the most amazing vocals I've ever heard Matt do".
Read more about this topic: Black Holes And Revelations
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“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
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“I had many problems in my conduct of the office being contrasted with President Kennedy’s conduct in the office, with my manner of dealing with things and his manner, with my accent and his accent, with my background and his background. He was a great public hero, and anything I did that someone didn’t approve of, they would always feel that President Kennedy wouldn’t have done that.”
—Lyndon Baines Johnson (1908–1973)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
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