Influence On European Folklore
The Black Death quickly entered common folklore in many European countries. In Northern Europe, the plague was personified as an old, bent woman covered and hooded in black, carrying a broom and a rake. Norwegians told that if she used the rake, some of the population involved might survive, escaping through the teeth of the rake. If she on the other hand used the broom, then the entire population in the area were doomed. The Plague-hag, or Pesta, were vividly drawn by the painter Theodor Kittelsen.
Women during and after the Black Death also benefited from the growing importance of vernacular literature because a broader cultural forum became available to them which had previously been restricted to men by the Latin church. And so, they began writing and fostering through patronage the writings and translations of others. For example, in France, Christine de Pizan (1364–1430) became the first woman in Europe to support herself by writing. She wrote in many different literary forms, such as an autobiography and books of moral advice for men and women, as well as poetry on a wide range of topics. In her treatise The Letter to the God of Love, she responded to Jean de Meun's anti-feminist writings found in his conclusion of Romance of the Rose. Her treatise marked the first instance in European history where a woman was able to respond to such diatribes in writing. It also led to a debate among de Meun and Pizan sympathizers which lasted until the sixteenth century.
Read more about this topic: Black Death In Medieval Culture
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