Recording and Production
The duo wrote three songs while touring in support of their debut album Felt Mountain but decided to take their work in a different direction with more rhythmic music. Goldfrapp chose to record in a studio in a Bohemian area of Bath, England because they needed somewhere to put their equipment and start working. The band began working on the album in January 2002 with a list of songs they wanted to try to record, such as a disco song with only string instruments. The studio's walls were covered in neon lights and Alison Goldfrapp used them to write down her song ideas. They recorded early demos and worked on pre-production using a Yamaha 02R digital mixing console. Goldfrapp held jam sessions with Mark Linkous and Adrian Utley and, after they built momentum writing the album, decided not to move to another studio.
The album cover is a collage made by Mat Maitland of photographs taken by Polly Borland featuring Alison Goldfrapp with two wolves. Artwork in the liner notes also has a wolf motif, including women with wolf heads. Goldfrapp explained that the wolves are a representation of might and mysticism and that she was "interested in the idea of metamorphosis and humans wanting to be like animals and animals wanting to be like humans."
Read more about this topic: Black Cherry (Goldfrapp Album)
Famous quotes containing the words recording and/or production:
“Write while the heat is in you.... The writer who postpones the recording of his thoughts uses an iron which has cooled to burn a hole with. He cannot inflame the minds of his audience.”
—Henry David Thoreau (1817–1862)
“The problem of culture is seldom grasped correctly. The goal of a culture is not the greatest possible happiness of a people, nor is it the unhindered development of all their talents; instead, culture shows itself in the correct proportion of these developments. Its aim points beyond earthly happiness: the production of great works is the aim of culture.”
—Friedrich Nietzsche (1844–1900)