Black Cherry (Goldfrapp Album) - Composition

Composition

After touring in support of Felt Mountain, Alison Goldfrapp stated that she felt performing slow torch songs "really claustrophobic". During their jam sessions, improvisation became a major part of the group's approach to recording Black Cherry. The album focuses more heavily on dance music and glam rock-inspired synthesisers than its predecessor, and is influenced by Spanish disco group Baccara and Swedish techno artist Håkan Lidbo. Goldfrapp commented that the album differs from Felt Mountain because the band "wanted to put more kind of 'oomph' in it." She stated that the lyrics are "a lot more direct and…less ambiguous." The songs on Black Cherry are more forthright in describing sexuality than those on Felt Mountain.

Read more about this topic:  Black Cherry (Goldfrapp Album)

Famous quotes containing the word composition:

    The naive notion that a mother naturally acquires the complex skills of childrearing simply because she has given birth now seems as absurd to me as enrolling in a nine-month class in composition and imagining that at the end of the course you are now prepared to begin writing War and Peace.
    Mary Kay Blakely (20th century)

    Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.
    Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)

    Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.
    —Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)