Black Aria II - Music and Recording

Music and Recording

The subtitle of Black Aria II is Lilith, Whore of the Desert, a reference to Lilith, the first wife of Adam and the subject of the album's content. Danzig explained “This one is more Eastern, because it's about Lilith. It still has a lot of the classic elements I like, but many of the sounds come from elsewhere because of this fascinating story, which has its origins in even older myths and legends.”

Black Aria II is produced, written and - with a couple of exceptions - performed by Danzig. Tommy Victor provides some additional guitar, and Tania Themmen performs female vocals. The music employs various sounds, including organ, strings, percussion, chimes, chants and lamentations. Some of the pieces comprise of up to 40 individual music tracks. "Unclean Sephira" consists entirely of layered vocal tracks.

Discussing the writing and recording process, Danzig stated “I just let the story take me. Each song tells me what it wants. Sometimes I have it all written in my head - every single part. But at other times, I'll be doing the skeleton framework and different parts will come to me. At times, I'll be listening to playback and suddenly I'll hear where another part can go. It tells me what I need to add.”

Read more about this topic:  Black Aria II

Famous quotes containing the words music and, music and/or recording:

    Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.
    Vladimir Nabokov (1899–1977)

    Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
    Frank Zappa (1940–1993)

    Too many photographers try too hard. They try to lift photography into the realm of Art, because they have an inferiority complex about their Craft. You and I would see more interesting photography if they would stop worrying, and instead, apply horse-sense to the problem of recording the look and feel of their own era.
    Jessie Tarbox Beals (1870–1942)