Origins
It is likely that the first domesticated horses were ridden with some type of noseband, made of various materials such as sinew, leather, or rope. However, because the materials used to make gear other than metal bits disintegrates quickly, archaeological evidence of the earliest use of bitless designs has been difficult to find.. The earliest artistic evidence of use of some form of bitless bridle was found in illustrations of Synian horseman, dated approximately 1400 BC. However, domestication of the horse occurred between 4500 and 3500 BC, while earliest evidence of the use of bits, located in two sites of the Botai culture, dates to about 3500-3000 BC. Thus there is a very high probability that some sort of headgear was used to control horses prior to the development of the bit.
Ancient Mesopotamian forms of bitless headgear were refined into the hakma, a design featuring a heavy braided noseband which dates to the reign of Darius in Ancient Persia, approximately 500 BC. It is the predecessor to the modern bosal-style hackamore as well as the French cavesson, particularly the modern longeing cavesson.
Some modern styles of "bitless bridle" date to a "bitless safety bridle" patented in 1893, with refinements patented in 1912 and 1915.
Read more about this topic: Bitless Bridle
Famous quotes containing the word origins:
“Lucretius
Sings his great theory of natural origins and of wise conduct; Plato
smiling carves dreams, bright cells
Of incorruptible wax to hive the Greek honey.”
—Robinson Jeffers (1887–1962)
“Grown onto every inch of plate, except
Where the hinges let it move, were living things,
Barnacles, mussels, water weeds—and one
Blue bit of polished glass, glued there by time:
The origins of art.”
—Howard Moss (b. 1922)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)