Birth of The Cool - The Complete Birth of The Cool (The Studio Sessions)

The Complete Birth of The Cool (The Studio Sessions)

Arrangements by the composer unless otherwise noted.

  1. "Move" (Denzil Best, arranged by John Lewis) – 2:32
  2. "Jeru" (Gerry Mulligan) – 3:10
  3. "Moon Dreams" (Chummy MacGregor, Johnny Mercer, arranged by Gil Evans) – 3:17
  4. "Venus de Milo" (Mulligan) – 3:10
  5. "Budo" (Miles Davis, Bud Powell, arranged by Lewis) – 2:32
  6. "Deception" (Davis, arranged by Mulligan) – 2:45
  7. "Godchild" (George Wallington, arranged by Mulligan) – 3:07
  8. "Boplicity" (Cleo Henry, i.e. Davis and Gil Evans, arranged by Evans) – 2:59
  9. "Rocker" (Mulligan) – 3:03
  10. "Israel" (Johnny Carisi) – 2:15
  11. "Rouge" (John Lewis) – 3:13
  12. "Darn That Dream" (Eddie DeLange, James Van Heusen, arranged by Mulligan) – 3:26

Read more about this topic:  Birth Of The Cool

Famous quotes containing the words complete, birth, cool and/or studio:

    ‘Tis chastity, my brother, chastity.
    She that has that is clad in complete steel,
    And like a quivered nymph with arrows keen
    May trace huge forests and unharbored heaths,
    Infamous hills and sandy perilous wilds,
    Where, through the sacred rays of chastity,
    No savage fierce, bandit, or mountaineer
    Will dare to soil her virgin purity.
    John Milton (1608–1674)

    Not yet the thirtieth year, the thirtieth
    Station where time reverses his light heels
    To run both ways, and makes of forward back;
    Whose long co-ordinates are birth and death....
    Allen Tate (1899–1979)

    Dead drunk
    is the term I think of,
    insensible,
    neither cool nor warm,
    without a head or a foot.
    To be drunk is to be intimate with a fool.
    Anne Sexton (1928–1974)

    Surely it is one of the requisites of a tasteful garb that the expression of effort to please shall be wanting in it; that the mysteries of the toilet shall not be suggested by it; that the steps to its completion shall be knocked away like the sculptor’s ladder from the statue, and the mental force expended upon it be swept away out of sight like the chips on the studio floor.
    Elizabeth Stuart Phelps (1844–1911)