Birla Vishwakarma Mahavidyalaya - History

History

Birla Vishwakarma Mahavidyalaya Engineering College was established in 1948 from donations made by the Birla Education Trust on the behest of Sardar Vallabhbhai Patel, the first Home Minister of independent India. The college was inaugurated by Lord Mountbatten, the then Governor General of India on 14 June 1948, and rose to prominence under the stewardship of Prof. Junarkar and Prof. K.M. Dholakia. It was one of the first few colleges in India that adopted the progressive credit system of relative grading in India. The college has so far awarded degrees to over 17,000 graduates, and has its alumni spread all across the globe.

The starting days

When it started, the infrastructure of the college was generously designed for three year degree programme with an intake of 150 students every year. The main building (now known as A. M. Naik Block) had class rooms and laboratories. Workshops and heat engine laboratory, drawing hall, hydraulics laboratory and boiler house were separately constructed. Shri Gordhanbhai I Patel of M/s Gordhandas Desai & Co was authorized to proceed to Europe and UK to purchase equipment for workshops, laboratories and surveying. The college thus started with the best of the equipments.


Read more about this topic:  Birla Vishwakarma Mahavidyalaya

Famous quotes containing the word history:

    The history of all hitherto existing society is the history of class struggles.
    Karl Marx (1818–1883)

    Postmodernism is, almost by definition, a transitional cusp of social, cultural, economic and ideological history when modernism’s high-minded principles and preoccupations have ceased to function, but before they have been replaced with a totally new system of values. It represents a moment of suspension before the batteries are recharged for the new millennium, an acknowledgment that preceding the future is a strange and hybrid interregnum that might be called the last gasp of the past.
    Gilbert Adair, British author, critic. Sunday Times: Books (London, April 21, 1991)

    The history of modern art is also the history of the progressive loss of art’s audience. Art has increasingly become the concern of the artist and the bafflement of the public.
    Henry Geldzahler (1935–1994)