"Bird on the Wire" is one of Leonard Cohen's signature songs. It was recorded 26 September 1968 in Nashville and included on his 1969 album Songs from a Room. A May 1968 recording produced by David Crosby, entitled "Like a Bird", was added to the 2007 remastered CD. Judy Collins was the first to release the song on her 1968 album Who Knows Where the Time Goes.
In the 1960s, Cohen lived on the Greek island Hydra with his girlfriend Marianne (the woman depicted on Songs from a Room's back cover). She has related how she helped him out of a depression by handing him his guitar, whereupon he began composing "Bird on the Wire" – inspired by a bird sitting on one of Hydra's recently installed phone wires, followed by memories of wet island nights. He finished it in a Hollywood motel.
Cohen has described "Bird on the Wire" as a simple country song, and the first recording, by Judy Collins, was indeed done in a country setting. He later made various minor changes, such as the modifications present on Cohen Live. Different renditions are included on all of his live albums. On occasion he also performed Serge Lama's French version, "Vivre tout seul", in concert.
In the sleevenotes to a 2007 release of Songs From A Room the song was described as "simultaneously a prayer and an anthem, a kind of bohemian My Way. Kris Kristofferson once told Cohen that he wanted the song's opening lines (Like a bird on the wire/like a drunk in a midnight choir/I have tried in my way to be free) to serve as his epitaph."
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Famous quotes containing the words bird and/or wire:
“They tell us sometimes that if we had only kept quiet, all these desirable things would have come about of themselves. I am reminded of the Greek clown who, having seen an archer bring down a flying bird, remarked, sagely: “You might have saved your arrow, for the bird would anyway have been killed by the fall.””
—Elizabeth Cady Stanton (1815–1902)
“Constantly risking absurdity
and death
whenever he performs
above the heads
of his audience
the poet like an acrobat
climbs on rime
to a high wire of his own making.”
—Lawrence Ferlinghetti (b. 1919)