Song List
Songs are listed with the name of the song, name of the film from which the song was taken, and name of the music director of the film. Here is the list.
| No. | Song title | Film | Music director | Play Back Singer |
|---|---|---|---|---|
| 1. | Mera jeevan kora kaaghaz kora hi reh | Kora Kagaz | Kalyanji-Anandji | Kishore Kumar |
| 2. | Jai jai shiv shankar kaanta lage na | Aap Ki Kasam | R.D. Burman | Lata Mangeshkar, Kishore Kumar & Chorus |
| 3. | Jhoothh bole kawwa kaate kaale | Bobby | Laxmikant-Pyarelal | Lata Mangeshkar, Shailender Singh |
| 4. | Gaadi bula rahi hai seeti baja rahi hai | Dost | Laxmikant-Pyarelal | Kishore Kumar |
| 5. | Arre rafta rafta dekho aankh | Kahani Kismat Ki | Kalyanji-Anandji | Kishore Kumar & Rekha |
| 6. | Peene waalon ko peene ka | Haath Ki Safai | Kalyanji-Anandji | Kishore Kumar & Hema Malini |
| 7. | Peete peete kabhi kabhi yoon jaam | Bairaag | Kalyanji-Anandji | Mohammad Rafi |
| 8. | Le jaayenge le jaayenge dilwaale | Chor Machaye Shor | Ravindra Jain | Asha Bhosle, Kishore Kumar & Chorus |
| 9. | Yeh laal rang kab mujhe chhodega mera | Prem Nagar | S.D. Burman | Kishore Kumar |
| 10. | Teri galiyon mein na rakkhenge qadam aaj hi | Hawas | Usha Khanna | Mohammad Rafi |
| 11. | Chura liya hai tumne jo dil ko | Yaadon Ki Baraat | R.D. Burman | Mohammad Rafi, Asha Bhosle |
| 12. | Main shaayar to naheen magar ai | Bobby | Laxmikant-Pyarelal | Shailender Singh |
| 13. | Yeh dil aur unki nigaahon ke saaye mujhe | Prem Parbat | Jaidev | Lata Mangeshkar |
| 14. | Panna ki tamanna hai ki heera | Heera Panna | R.D. Burman | Lata Mangeshkar, Kishore Kumar |
| 15. | Raaz ki baat keh doon to jaane mahfil | Dharma | Sonik Omi | Mohammad Rafi, Asha Bhosle |
| 16. | Meet na mila re man ka meet na mila | Abhimaan | S.D. Burman | Kishore Kumar |
| 17. | Karvaten badalte rahe saari raat hum | Aap Ki Kasam | R.D. Burman | Lata Mangeshkar, Kishore Kumar |
| 18. | Nadiya se dariya dariya se saagar | Namak Haraam | R.D. Burman | Kishore Kumar |
| 19. | Ek daal par tota bole ek daal par | Chor Machaye Shor | Ravindra Jain | Mohammad Rafi, Lata Mangeshkar |
| 20. | Aapke kamre mein koi rehta hai | Yaadon Ki Baraat | R.D. Burman | Kishore Kumar, Asha Bhosle & Chorus |
| 21. | Chal chalen ai dil karen chalkar kisi ka | Jheel Ke Us Paar | R.D. Burman | Lata Mangeshkar |
| 22. | Shor mach gaya shor dekho aaya maakhanchor | Badla | Laxmikant-Pyarelal | Kishore Kumar & Chorus |
| 23. | Turu ru ru turu ru ru tera mera | Jwaar Bhata | Laxmikant-Pyarelal | Kishore Kumar |
| 24. | O manchali kahaan chali dekh dekh | Manchali | Laxmikant-Pyarelal | Kishore Kumar & Chorus |
| 25. | Gham ka fasaana ban gaya achchha ek bahaana | Manchali | Laxmikant-Pyarelal | Kishore Kumar, Leena Chandawarkar |
| 26. | Daal roti khaao prabhu ke gun | Jwaar Bhata | Laxmikant-Pyarelal | Lata Mangeshkar, Kishore Kumar |
| 27. | Nigaahen neechi kiye sar jhukaaye baithhe hain | Hamraahi | Kalyanji-Anandji | |
| 28. | Aaya hoon main tujhko le jaaoonga apne saath | Manoranjan | R.D. Burman | |
| 29. | Waada kar le saajna | Haath Ki Safai | Kalyanji-Anandji | Mohammad Rafi, Lata Mangeshkar |
| 30. | Saala main to saahab ban gaya saahab banke kaisa | Sagina | S. D. Burman | Kishore Kumar |
| 31. | Yaadon ki baaraat | Yaadon Ki Baraat | R.D. Burman | Mohammad Rafi, Lata Mangeshkar, Usha Mangeshkar & Kishore Kumar |
| 32. | Baithh jaa baithh gayi khadi ho jaa khadi ho gayi | Ameer Garib | Laxmikant-Pyarelal | Lata Mangeshkar, Kishore Kumar |
| 32. | Jhoom baraabar jhoom sharaabi | Five Rifles | Aziz Nazaan | Aziz Nazaan |
Read more about this topic: Binaca Geetmala Annual List 1974
Famous quotes containing the words song and/or list:
“In song and dance man expresses himself as a member of a higher community: he has forgotten how to walk and speak and is on the way toward flying up into the air, dancing.”
—Friedrich Nietzsche (1844–1900)
“Religious literature has eminent examples, and if we run over our private list of poets, critics, philanthropists and philosophers, we shall find them infected with this dropsy and elephantiasis, which we ought to have tapped.”
—Ralph Waldo Emerson (1803–1882)