Acting Career
Cyrus starred in the 1999 independent film Radical Jack. He also had a small part in David Lynch's 2001 film Mulholland Drive as Gene, a pool cleaner who had been having an affair with the wife of Adam Kesher (Justin Theroux). In 2001, Cyrus played the lead role on the PAX (now ION Television) comedy-drama Doc, which became the network's highest-rated show. In 2005, Cyrus expanded his acting career in a stage production of Annie Get Your Gun in Toronto, appearing in the role of Frank Butler.
Cyrus' television credits include The Nanny, Diagnosis Murder, Love Boat, The Next Wave, and TNN’s 18 Wheels Of Justice. In 2004, he guest-starred as a limo driver in the episode "The Power of Love" of the Canadian teen drama Degrassi: The Next Generation. Cyrus has also been the subject of many television specials that detail his rise to fame and his career. These include two ABC documentaries, Billy Ray Cyrus: Dreams Come True and Billy Ray Cyrus: A Year on the Road, a VH1 exclusive, as well as the TNN specials I Give My Heart To You, and The Life and Times of Billy Ray Cyrus. In late 2005, Cyrus and his daughter Miley Cyrus began co-starring in the Disney Channel original television series, Hannah Montana, which premiered on March 24, 2006.
In March 2007, Cyrus joined several other celebrities to take part in the fourth season of the US version of Dancing with the Stars. He and his partner Karina Smirnoff, were eliminated in the eighth week (May 8, 2007) after having also placed in the "bottom two" the week before.
Cyrus also starred in Jackie Chan's movie The Spy Next Door. It was shot in Albuquerque, New Mexico and released in January 2010.
Cyrus sits on the advisory board of the Parents Television Council.
In 2010, it was announced that he and his son Trace Cyrus would take part in a new Syfy reality series called UFO: Unbelievably Freakin' Obvious.
Read more about this topic: Billy Ray Cyrus
Famous quotes containing the words acting and/or career:
“Acting is not about dressing up. Acting is about stripping bare. The whole essence of learning lines is to forget them so you can make them sound like you thought of them that instant.”
—Glenda Jackson (b. 1937)
“I doubt that I would have taken so many leaps in my own writing or been as clear about my feminist and political commitments if I had not been anointed as early as I was. Some major form of recognition seems to have to mark a woman’s career for her to be able to go out on a limb without having her credentials questioned.”
—Ruth Behar (b. 1956)