Musical Style and Influences
When asked in a 1994 Rolling Stone interview about his influences, Corgan replied:
Eight years old, I put on the Black Sabbath record, and my life is forever changed. It sounded so heavy. It rattled the bones. I wanted that feeling. With Bauhaus and The Cure, it was the ability to create a mood and an atmosphere. The air gets heavier. With Jimi Hendrix it was the ability to translate this other level of guitar. Cheap Trick – it was a vocal influence. Although Tom Petersson once told me that Rick Nielsen called us 'tuneless and nonmelodic.'
Although Corgan is not widely recognized for his guitar playing, it has been praised numerous times. Allmusic said "Starla" "proves that Corgan was one of the finest (and most underrated) rock guitarists of the '90s", while Rolling Stone called him and his Smashing Pumpkins bandmates "ruthless virtuosos". Within guitar circles, he has assumed a position of respect. He wrote six articles for Guitar World in 1995, and his solos for "Cherub Rock" and "Geek U.S.A." were included on their list of the top guitar solos of all time. His solo for "Soma" was No. 24 on Rolling Stone's list of the top guitar solos. He is a fan of Eddie Van Halen and interviewed him in the late nineties for Guitar World. Other guitarists Corgan rates highly include Uli Jon Roth, Tony Iommi, Ritchie Blackmore, Leslie West, and Robin Trower.
His bass playing, which has featured on nearly every Smashing Pumpkins album, was influenced by post-punk figures like Peter Hook and Simon Gallup.
Corgan has praised Radiohead, saying "if they're not the best band in the world, then they're one of the best", and is also a fan of Pantera. Other favorites include Depeche Mode, Rush, Pink Floyd, Metallica, Queen, Dinosaur Jr., Pavement, My Bloody Valentine, and Spiritualized.
He has listed his artistic influences as William S. Burroughs, Pablo Picasso, Jimi Hendrix, Jack Kerouac, and Philip K. Dick.
Read more about this topic: Billy Corgan
Famous quotes containing the words musical, style and/or influences:
“Then, bringing me the joy we feel when wee see a work by our favorite painter which differs from any other that we know, or if we are led before a painting of which we have until then only seen a pencil sketch, if a musical piece heard only on the piano appears before us clothed in the colors of the orchestra, my grandfather called me the [hawthorn] hedge at Tansonville, saying, “You who are so fond of hawthorns, look at this pink thorn, isn’t it lovely?””
—Marcel Proust (1871–1922)
“On the first days, like a piece of music that one will later be mad about, but that one does not yet distinguish, that which I was to love so much in [Bergotte’s] style was not yet clear to me. I could not put down the novel that I was reading, but I thought that I was only interested in the subject, as in the first moments of love when one goes every day to see a woman at some gathering, or some pastime, by the amusements to which one believes to be attracted.”
—Marcel Proust (1871–1922)
“The tourist who moves about to see and hear and open himself to all the influences of the places which condense centuries of human greatness is only a man in search of excellence.”
—Max Lerner (b. 1902)