Early Life and Rise To Fame
Spears was born in Beaumont, Texas, United States. She made her professional debut at age 13 at a country music concert in Houston, Texas. She was the great aunt of Kayla Choate. She cut her first single, called "Too Old For Toys, Too Young For Boys," while she was still a teenager. It was released by the independent record label, Abbot Records, under the name 'Billie Jean Moore'. She also performed on the Louisiana Hayride at 13. After graduating from high school, she sang in nightclubs and sought a record deal. Spears' early career was orchestrated by the country/rockabilly songwriter, Jack Rhodes. Working out of his makeshift recording studio, Rhodes took it upon himself to provide Spears with material and clout in her early years. Spears moved from Texas to Nashville, Tennessee in 1964. She gained her first recording contract with United Artists Records, and worked with producer Kelso Herston. Her first singles brought her little success. Soon her producer moved over to Capitol Records and Spears followed. She was placed under contract by the label in 1968.
Read more about this topic: Billie Jo Spears
Famous quotes containing the words early, life, rise and/or fame:
“When first we faced, and touching showed
How well we knew the early moves ...”
—Philip Larkin (19221986)
“You are told a lot about your education, but some beautiful, sacred memory, preserved since childhood, is perhaps the best education of all. If a man carries many such memories into life with him, he is saved for the rest of his days. And even if only one good memory is left in our hearts, it may also be the instrument of our salvation one day.”
—Feodor Dostoyevsky (18211881)
“In man, the shedding of blood is always associated with injury, disease, or death. Only the female half of humanity was seen to have the magical ability to bleed profusely and still rise phoenix-like each month from the gore.”
—Estelle R. Ramey (b. 1917)
“To anybody who can hold the Present at its worth without being inappreciative of the Past, it may be forgiven, if to such an one the solitary old hulk at Portsmouth, Nelsons Victory, seems to float there, not alone as the decaying monument of a fame incorruptible, but also as a poetic approach, softened by its picturesqueness, to the Monitors and yet mightier hulls of the European ironclads.”
—Herman Melville (18191891)