Billie Jo Spears - Early Life and Rise To Fame

Early Life and Rise To Fame

Spears was born in Beaumont, Texas, United States. She made her professional debut at age 13 at a country music concert in Houston, Texas. She was the great aunt of Kayla Choate. She cut her first single, called "Too Old For Toys, Too Young For Boys," while she was still a teenager. It was released by the independent record label, Abbot Records, under the name 'Billie Jean Moore'. She also performed on the Louisiana Hayride at 13. After graduating from high school, she sang in nightclubs and sought a record deal. Spears' early career was orchestrated by the country/rockabilly songwriter, Jack Rhodes. Working out of his makeshift recording studio, Rhodes took it upon himself to provide Spears with material and clout in her early years. Spears moved from Texas to Nashville, Tennessee in 1964. She gained her first recording contract with United Artists Records, and worked with producer Kelso Herston. Her first singles brought her little success. Soon her producer moved over to Capitol Records and Spears followed. She was placed under contract by the label in 1968.

Read more about this topic:  Billie Jo Spears

Famous quotes containing the words early, life, rise and/or fame:

    Betwixt the black fronts long-withdrawn
    A light-blue lane of early dawn,
    Alfred Tennyson (1809–1892)

    For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Our science has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited. Nothing essential happens in the absence of noise.
    Jacques Attali (b. 1943)

    Considered physiologically, everything ugly weakens and saddens man. It reminds him of decay, danger, impotence; it actually reduces his strength. The effect of ugliness can be measured with a dynamometer. Whenever anyone feels depressed, he senses the proximity of something “ugly.” His feeling of power, his will to power, his courage, his pride—they decline with ugliness, they rise with beauty.
    Friedrich Nietzsche (1844–1900)

    Celebrity-worship and hero-worship should not be confused. Yet we confuse them every day, and by doing so we come dangerously close to depriving ourselves of all real models. We lose sight of the men and women who do not simply seem great because they are famous but are famous because they are great. We come closer and closer to degrading all fame into notoriety.
    Daniel J. Boorstin (b. 1914)