Popularity
According to Oregon sportswriter Kerry Eggers, Schonely is considered by fans "the one constant link with Oregon's only major-league team."
NBA trainer Ron Culp said of Schonely in 1990, "Bill Schonely is the symbol of the love affair the fans have with the Trail Blazers. ... He's part of their immediate family. Everything else with the Blazers have changed over the past 20 years, but you just don't mess with the Schonz."
Schonely is often compared to legendary announcers Chick Hearn and Johnny Most, of the Los Angeles Lakers and Boston Celtics, respectively. At Schonely's induction to the 2002 Oregon Sports Hall of Fame, former Blazers center Bill Walton said: "Bill Schonely is as important to sports in the Northwest as Chick Hearn was to sports in Southern California. There are very few people in the history of Western Civilization who have had that kind of an impact." Walton also said: "Bill Schonely is the most important figure in the history of Oregon sports, with all due respect to Phil Knight and Maurice Lucas. Bill Schonely is the man who convinced people that sports are worthwhile."
A restaurant in the Rose Garden is named in his honor, the Pyramid Taproom at Schonely's Place.
The Trail Blazers organization retired Schonely's microphone on November 3, 2003.
The 1992 Public Enemy album, Greatest Misses features the voice of Schonely calling Trail Blazer games on the track "Air Hoodlum."
Read more about this topic: Bill Schonely
Famous quotes containing the word popularity:
“A large part of the popularity and persuasiveness of psychology comes from its being a sublimated spiritualism: a secular, ostensibly scientific way of affirming the primacy of “spirit” over matter.”
—Susan Sontag (b. 1933)
“The popularity of disaster movies ... expresses a collective perception of a world threatened by irresistible and unforeseen forces which nevertheless are thwarted at the last moment. Their thinly veiled symbolic meaning might be translated thus: We are innocent of wrongdoing. We are attacked by unforeseeable forces come to harm us. We are, thus, innocent even of negligence. Though those forces are insuperable, chance will come to our aid and we shall emerge victorious.”
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“A more problematic example is the parallel between the increasingly abstract and insubstantial picture of the physical universe which modern physics has given us and the popularity of abstract and non-representational forms of art and poetry. In each case the representation of reality is increasingly removed from the picture which is immediately presented to us by our senses.”
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