Style
When Australia batted, Lawry, their stumbling-block-extraordinary, took root, and in an interminable left-handed stand with Cowper effectively droused English prospects. When this relentless fellow, having reached his sixth Test hundred against England, at length took a liberty he had made 592 runs in the Tests, average 84, the highest aggregate since Bradman's in 1946–47: not only that, he had scored 979 against M. J. K. Smith's side since they landed in Perth, and had occupied the crease for forty-one and a half hours. There was a gayer side to Lawry as we had seen at Adelaide—but he didn't let it obtrude too often. He just kept that long, sharp nose religiously over the ball, accumulating at his own deliberate gait, and in particular tucking everything away off his pads whenever the English bowlers bowled there, as all too often they did.
- E. W. Swanton
Along with Bob Simpson, he formed an opening partnership that was regarded as one of the finest in Test history. Lawry was fast between the wickets, and the pair were especially well known for their understanding, as exemplified by their fluency in rotating the strike with quick singles. Lawry was known for his peculiar stance. He had little bend in his knees, and as a result batted with a stoop over his bat. He used his long reach to blunt spin bowling. He played with a very straight bat, combining well-organised defence with a somewhat limited range of strokes, marked by an efficiency of placement and an unusually heavy reliance on the hook shot. His strengths were regarded as his composure and intense concentration which powered a relentless single-mindedness. His defiant style was accentuated by his habit of tugging on his cap after every ball, as though starting afresh. John Snow wrote that 'He always had to be got out and even if you managed to knock all three stumps over he still stayed at the crease a moment looking round for some excuse to continue batting before reluctantly starting his walk back to the dressing room'. Lawry was also a left-hander during his winter baseball recreation, which equipped him with a powerful throwing arm.
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Famous quotes containing the word style:
“Each child has his own individual expressions to offer to the world. That expression can take many forms, from artistic interests, a way of thinking, athletic activities, a particular style of dressing, musical talents, different hobbies, etc. Our job is to join our children in discovering who they are.”
—Stephanie Martson (20th century)
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
“Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the calibre of a bullet, teething beads.... One’s style holds one, thankfully, at bay from the enemies of it but not from the stupid crucifixions by those who must willfully misunderstand it.”
—Alexander Theroux (b. 1940)