Bill Lawry - Style

Style

When Australia batted, Lawry, their stumbling-block-extraordinary, took root, and in an interminable left-handed stand with Cowper effectively droused English prospects. When this relentless fellow, having reached his sixth Test hundred against England, at length took a liberty he had made 592 runs in the Tests, average 84, the highest aggregate since Bradman's in 1946–47: not only that, he had scored 979 against M. J. K. Smith's side since they landed in Perth, and had occupied the crease for forty-one and a half hours. There was a gayer side to Lawry as we had seen at Adelaide—but he didn't let it obtrude too often. He just kept that long, sharp nose religiously over the ball, accumulating at his own deliberate gait, and in particular tucking everything away off his pads whenever the English bowlers bowled there, as all too often they did.

E. W. Swanton

Along with Bob Simpson, he formed an opening partnership that was regarded as one of the finest in Test history. Lawry was fast between the wickets, and the pair were especially well known for their understanding, as exemplified by their fluency in rotating the strike with quick singles. Lawry was known for his peculiar stance. He had little bend in his knees, and as a result batted with a stoop over his bat. He used his long reach to blunt spin bowling. He played with a very straight bat, combining well-organised defence with a somewhat limited range of strokes, marked by an efficiency of placement and an unusually heavy reliance on the hook shot. His strengths were regarded as his composure and intense concentration which powered a relentless single-mindedness. His defiant style was accentuated by his habit of tugging on his cap after every ball, as though starting afresh. John Snow wrote that 'He always had to be got out and even if you managed to knock all three stumps over he still stayed at the crease a moment looking round for some excuse to continue batting before reluctantly starting his walk back to the dressing room'. Lawry was also a left-hander during his winter baseball recreation, which equipped him with a powerful throwing arm.

Read more about this topic:  Bill Lawry

Famous quotes containing the word style:

    New is a word for fools in towns who think
    Style upon style in dress and thought at last
    Must get somewhere.
    Robert Frost (1874–1963)

    The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.
    Raymond Chandler (1888–1959)

    To write well, to have style ... is to paint. The master faculty of style is therefore the visual memory. If a writer does not see what he describes—countrysides and figures, movements and gestures—how could he have a style, that is originality?
    Rémy De Gourmont (1858–1915)