Plot
On the planet Mars, there existed a race of anthropomorphic mice who enjoyed motorsports and had a very similar culture and society to that of human beings. At some point in time they were all but wiped out by the Plutarkians, an alien race of obese, foul-smelling, fish-like humanoids who plunder other planets' natural resources because they have wasted all of their own. Three survivors, Throttle, Modo and Vinnie, manage to find a spaceship and escape the Plutarkian takeover but they are soon shot down by a Plutarkian warship and end up crash-landing on Earth in the city of Chicago. There they meet a charming female mechanic named Charlene "Charley" Davidson and discover that the Plutarkians have come to Earth to steal its natural resources. The Biker Mice investigate the crumbling ghetto of the windy city and soon discover that Chicago's leading industrialist, Lawrence Limburger, is actually a Plutarkian who disguises himself as a human, plotting to ransack Earth's resources to send to his own dying planet. Limburger enlists two henchmen, mad scientist Dr. Karbunkle and the idiotic Greasepit to help him steal Earth's natural resources and send them to Plutark. But the Biker mice from Mars themselves as heroic vigilantes come to save the day and stop Limburger from destroying Chicago, doing it to bring Plutark to justice as payback for the loss and powerful destruction of their home in process. And to defend the Earth from the similar fate. Thus, the Biker Mice become Limburger's chief foils, destroying his business tower at the end of nearly every episode.
Read more about this topic: Biker Mice From Mars
Famous quotes containing the word plot:
“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.”
—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“James’s great gift, of course, was his ability to tell a plot in shimmering detail with such delicacy of treatment and such fine aloofness—that is, reluctance to engage in any direct grappling with what, in the play or story, had actually “taken place”Mthat his listeners often did not, in the end, know what had, to put it in another way, “gone on.””
—James Thurber (1894–1961)