Composition
The first two verses of the track are underscored by upbeat keyboards that lead into electronica and techno-influenced grooves that Sandy Masuo of Option defined as "brooding". Björk belts out the first lines accompanied by a base of percussion, while the chorus features stronger electronic beats. After the first two verses, Björk sings some sounds like moans or shouts. Ben Thompson defined the yells sequence as "sinuous pop-funk squawk". After the interlude "I don't know my future after this weekend/And I don't want to!" funk-like sounds lead the song to an end.
The "Fluke Minimix" is composed on a series of synthesizers and by slower vocals. The remix features electronic bass and heavily uses reverb. The track ends with the lines "It takes courage to enjoy it/The hardcore/And the gentle/Of Big Time Sensuality" whispered by Björk.
Read more about this topic: Big Time Sensuality
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“Those Dutchmen had hardly any imagination or fantasy, but their good taste and their scientific knowledge of composition were enormous.”
—Vincent Van Gogh (1853–1890)
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“It is my PRIDE, my damn’d, native, unconquerable Pride, that plunges me into Distraction. You must know that 19-20th of my Composition is Pride. I must either live a Slave, a Servant; to have no Will of my own, no Sentiments of my own which I may freely declare as such;Mor DIE—perplexing alternative!”
—Thomas Chatterton (1752–1770)