Plot
Sugar Bear (Shaggy 2 Dope), a streetwise detective from San Francisco, is brought to New York City by its chief of police (John G. Brennan) to take down Big Baby Sweets (Violent J), a notorious crime lord who controls the entirety of the city's criminal underworld with his right-hand men Big Stank (Jamie Madrox) and Lil' Poot (Monoxide Child), and his personal security ninja Hack Benjamin (Robert Bruce). After getting a firsthand look at the police force's incompetence via Officer Harry Cox (Harland Williams), Sugar Bear prevents a robbery of a local doughnut shop by one of Big Baby Sweets' thugs, Ape Boy, and begins a romance with a 300-pound stripper, Missy (Sindee Williams).
He soon arrests Big Baby Sweets, Big Stank and Lil' Poot himself, but the police are forced to let them go because of a lack of evidence. The gangsters retaliate by terrorizing the city and sending a pair of stealthy Magic Ninjas to murder Missy, leading Sugar Bear to depressed alcoholism. Sugar Bear's idol, Dolemite (Rudy Ray Moore), appears before him to reassure him and begin training him to bring down Sweets' evil empire. Sugar Bear kills the Magic Ninjas and Hack Benjamin, and has Big Stank and Lil' Poot carted off by their wealthy, upper-class parents before defeating another one of Big Baby Sweets' henchmen, Cactus Sac (Mick Foley), in a wrestling match. During Big Baby Sweets' personal confrontation with Sugar Bear, Sweets is shot by his mother, and Sugar Bear removes Sweets' face paint, revealing him to be Harry Cox.
Read more about this topic: Big Money Hustlas
Famous quotes containing the word plot:
“The westward march has stopped, upon the final plains of the Pacific; and now the plot thickens ... with the change, the pause, the settlement, our people draw into closer groups, stand face to face, to know each other and be known.”
—Woodrow Wilson (18561924)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobodys previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (18121870)
“There comes a time in every mans education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (18031882)