Reception
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic | |
| The Independent | |
| L.A. Times | |
| The Sun | |
| Tiny Mix Tapes | |
The album has received overall positive reviews. Simon Cosyns of The Sun wrote that "there are no boundaries to Byrne's work" and called the album "strangely compelling." Other reviewers have found the album too esoteric, such as Chris Barrett, writing for the Metro Pulse, who concludes his review writing "Recommended. But, as mentioned, probably not for everybody." Thom Jurek of Allmusic gave the album three out of five stars, calling it "pleasant for a while, but lightweight" noting that buyers would have to be "Byrne enthusiast... to find this set of compositions engaging in its own right, or addicted to very specifically themed cinematically inspired music, to truly appreciate what's on offer here." Some reviewers have noted the emotional sweep of the music, with John Constine of Tiny Mix Tapes calling it "a wide breadth of emotions... at times pensive and ominous, at others curious and wistful." In addition, the spiritual themes have been compared to Sufjan Stevens by several commentators as well as Byrne's other 2008 album, the Brian Eno collaboration Everything That Happens Will Happen Today.
Read more about this topic: Big Love: Hymnal
Famous quotes containing the word reception:
“I gave a speech in Omaha. After the speech I went to a reception elsewhere in town. A sweet old lady came up to me, put her gloved hand in mine, and said, “I hear you spoke here tonight.” “Oh, it was nothing,” I replied modestly. “Yes,” the little old lady nodded, “that’s what I heard.””
—Gerald R. Ford (b. 1913)
“Aesthetic emotion puts man in a state favorable to the reception of erotic emotion.... Art is the accomplice of love. Take love away and there is no longer art.”
—Rémy De Gourmont (1858–1915)
“He’s leaving Germany by special request of the Nazi government. First he sends a dispatch about Danzig and how 10,000 German tourists are pouring into the city every day with butterfly nets in their hands and submachine guns in their knapsacks. They warn him right then. What does he do next? Goes to a reception at von Ribbentropf’s and keeps yelling for gefilte fish!”
—Billy Wilder (b. 1906)