Bibiana Beglau - Theater (Selection)

Theater (Selection)

  • 1997: Ivanov by Anton Chekhov as Sascha at Schauspielhaus Düsseldorf (Director: Anna Badora)
  • 1997: As you like it by William Shakespeare as Rosalinde at Schauspielhaus Düsseldorf (Director: Nikolai Sykosch)
  • 1997 - 1998: Lulu by Frank Wedekind as Lulu at Schauspielhaus Düsseldorf (Director: Anna Badora)
  • 1997 - 1998: Salomé by Oscar Wilde as Herodias at Schauspielhaus Düsseldorf (Director: Einar Schleef)
  • 1998 - 2003: Disco Pigs by Enda Walsh as Pig at Hamburger Schauspielhaus, Deutschen Theater Berlin and Schaubühne Berlin (Director: Thomas Ostermeier)
  • 1999 - 2001: Nothing Hurts by Anouk van Dijk and Falk Richter at Kampnagel, Hamburg (Directors: Anouk van Dijk and Falk Richter)
  • 2000 - 2010: Berlin Alexanderplatz by Alfred Döblin as Mietze at Volksbühne Berlin (Director: Frank Castorf)
  • 2000 - 2001: Polaroids by Mark Ravenhills at Schauspielhaus Zürich (Director: Falk Richter)
  • 2001 - 2012: 4.48 Psychosis by Sarah Kane at Schaubühne Berlin (Director: Falk Richter)
  • 2001 - 2002: Hamlet by William Shakespeare as Ophelia at Schauspielhaus Zürich (Director: Christoph Schlingensief)
  • 2002: Synchron by Thomas Hürlimann as Sibylle at Schauspielhaus Zürich (Director: Christoph Marthaler)
  • 2003: Mourning Becomes Electra by Eugene O’Neill as Lavinia at Schauspielhaus Zürich (Director: Frank Castorf)
  • 2003 - 2004: 57 Minuten 38 Sekunden Ewigkeit - '57 Minutes and 38 Seconds of Eternity' as Verschollene by Bibiana Beglau and Stefan Jäger at Schauspielhaus Zürich (Director: Stefan Jäger)
  • 2004: Attabambi-Pornoland by Christoph Schlingensief at Schauspielhaus Zürich (Director: Christoph Schlingensief)
  • 2005 - 2006: Fatherless by Anton Chekhov as Anna Petrovna at Volksbühne Berlin (Director: Stefan Pucher)
  • 2005 - 2007: Barebacklying by Simone Aughterlony at Gessnerallee, Zürich, Hebbel Theater, Berlin and Schauburg, Rotterdam (Director: Simone Aughterlony)
  • 2005 - 2009: König Ottokars Glück und Ende - 'King Ottokar’s Happiness and End by Franz Grillparzer ass Queen Kunigunde at Burgtheater Wien and the Salzburger Festspielen (Director: Martin Kusej)
  • 2006 - 2008: Ghosts by Henrik Ibsen as Mrs. Alving at Schaubühne Berlin (Director: Sebastian Nübling)
  • 2007: The Ugly One by Marius von Mayenburg as Fanny at Schaubühne Berlin (Director: Benedict Andrews)
  • 2007 - 2009: Three Sisters by Anton Chekhov as Mascha at Schaubühne Berlin (Director: Falk Richter)
  • 2007 - 2010: Im Ausnahmezustand - 'In a State of Emergency' by Falk Richter as the Woman at Schaubühne Berlin (Director: Falk Richter)
  • 2008: Macbeth by William Shakespeare as Lady Macbeth at Schauspielhaus Zürich (Director: Sebastian Nübling)
  • 2008 - 2009: The Cherry Orchard by Anton Chekhov as Mrs Ranewskaja at Schaubühne Berlin (Director: Falk Richter)
  • 2009 - 2011: Oedipus, Tyrant by Friedrich Hölderlin by Heiner Müller as Creon, Tiresias and the Servant at Thalia Theater (Hamburg) (Director: Dimiter Gotscheff)
  • 2009 - 2011: The truth about the Kennedys by Luk Perceval as Rose Kennedy at Thalia Theater (Hamburg) (Director: Luk Perceval)
  • 2010 - 2011: Twelfth Night by William Shakespeare as Olivia at Thalia Theater (Hamburg) (Director: Jan Bosse)
  • 2011 - : Antigone by Bertolt Brecht as Guard, Tiresias and the Courier at Thalia Theater (Hamburg) (Director: Dimiter Gotscheff)
  • 2011 – : Eyjafjallajökull-Tam-Tam by Helmut Krausser at Residenztheater Munich (Director: Robert Lehniger)
  • 2011 - : Immer noch Sturm by Peter Handke as Ursula, at the Salzburger Festspielen, at Burgtheater Wien and at Thalia Theater (Hamburg) (Director: Dimiter Gotscheff)
  • 2011– : Casimir and Caroline by Ödön von Horváth as Erna, Rosa und Schürzinger at Residenztheater Munich (Director: Frank Castorf)
  • 2012– : The Bitter Tears of Petra von Kant by Rainer Werner Fassbinder as Petra von Kant at Residenztheater Munich (Director: Martin Kusej)

Read more about this topic:  Bibiana Beglau

Famous quotes containing the word theater:

    We all know that the theater and every play that comes to Broadway have within themselves, like the human being, the seed of self-destruction and the certainty of death. The thing is to see how long the theater, the play, and the human being can last in spite of themselves.
    James Thurber (1894–1961)