Architecture
The fieldstone Methodist Episcopal Church building was built in 1826 with a simple pedimented roof and round arched windows. Later, William H. Boole was the church's pastor. The building is made of Manhattan schist from a quarry on nearby Pitt Street. The exterior is marked by three windows over three doors framed with round arches, a low flight of brownstone steps, a low pitched pediment roof with a lunette window and a wooden cornice.
The elaborate Torah Ark is believed to have been carved in Bialystok and shipped to New York.
The synagogue was listed as a New York City Landmark on April 19, 1966. It is one of only four early-19th century fieldstone religious buildings surviving from the late Federal period in Lower Manhattan. Richard McBee and Dodi-Lee Hecht have both written in-depth articles about the building.
As the synagogue is home to an Orthodox Jewish congregation, a balcony section was constructed to accommodate female congregants. In the corner of the women’s gallery a small hidden door in the wall that leads to a ladder going up to an attic, lit by two windows was constructed. When it was first opened, the building was a rest stop for the Underground Railroad movement; runaway slaves found sanctuary in this attic.
When the air conditioning was updated in the 1990s, an issue arose in the construction of rooftop units because of the building's historical landmark status. Because of these concerns, the cooling units were installed on the side of the building.
Read more about this topic: Bialystoker Synagogue
Famous quotes containing the word architecture:
“Art is a jealous mistress, and if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider, and should be wise in season and not fetter himself with duties which will embitter his days and spoil him for his proper work.”
—Ralph Waldo Emerson (1803–1882)
“The two elements the traveler first captures in the big city are extrahuman architecture and furious rhythm. Geometry and anguish. At first glance, the rhythm may be confused with gaiety, but when you look more closely at the mechanism of social life and the painful slavery of both men and machines, you see that it is nothing but a kind of typical, empty anguish that makes even crime and gangs forgivable means of escape.”
—Federico García Lorca (1898–1936)
“Defaced ruins of architecture and statuary, like the wrinkles of decrepitude of a once beautiful woman, only make one regret that one did not see them when they were enchanting.”
—Horace Walpole (1717–1797)